Woo hoo, The Great British Sewing Bee is back for series four! I won’t ask if you’re excited; I was on Twitter yesterday and my feed was full of GBSB chat:) I hope international friends get to watch it too (p.s. when I used to travel for work, I watched on iplayer live using a UK VPN).

Alongside the new series, there’s also a new GBSB book by Wendy Gardiner. If you’re familiar with the previous series’ books, you’ll already be familiar with the format. The book starts with a ‘Know Before You Sew’ section, which contains a brief overview of sewing supplies, machines, fabric types, and the techniques used in the book. The introductory chapter also includes a short overview of common fitting techniques (including bust adjustments and trouser fitting), although you’d need to seek out additional advice in order to really get the hang of the techniques.

The majority of the book contains garment projects; there are 27 in total which are split as follows: 20 women’s; 2 men’s; 3 children’s; 1 baby; 1 unisex (kimono). I don’t have any insight into what the contestants will be making in future episodes of the series, but I think we can make some good guesses based on the book! The patterns include a range of basics including the bias-cut top made in episode one, a breton top, palazzo pants, peplum dress, wiggle skirt and camisole top and shorts. There are also some more unusual patterns such as a soft-cup bra (I’m looking forward to that episode!), asymmetric top and skirt, man’s cycling top, and a sequin cocktail dress.

My favourite patterns from the book are the YSL-inspired Colour-Blocked Dress, and the Asymmetric Skirt. The children’s dungarees are adorable, and, although there are only two men’s patterns, they are both interesting choices – a cycle top, and a pin-tuck shirt.

Full-size pattern pieces are provided on paper pattern sheets in a separate sleeve. Each sheet is labelled with which patterns it contains. Pattern pieces are overlapped, and can be a little fiddly to identify (Burda-style). Make sure to take note of the pattern piece name font colour on the sheet, as the pattern piece outline will be in the same colour – making it easier to identify. Although pattern pieces are full size, some are split in two parts on the sheet due to available space, requiring piecing-together when tracing. I noticed that a few patterns pieces were missing some information, but nothing too misleading (i.e for the Culottes pattern, the waistband piece was missing notches referred to in the instructions, and the pocket piece didn’t state how many pieces to cut).

A number of patterns within the book are labelled as ‘hacks’ (e.g the Culottes are a hack of the Palazzo Pants pattern), but helpfully the pattern pieces include cutting lines for the hack variations, so there’s no need for sewers to manually hack the patterns themselves.

In order to try the book for myself, I made up the Culottes pattern (to my mind actually a short-trouser as opposed to culottes, but that’s a matter of opinion).

I found the sizing information in the book a little vague. The size chart at the start of the book (sizes 8-20; 32 1/2 – 45 1/2 bust) is labelled as ‘standard ready-to-wear women’s measurement chart’; I couldn’t see an explicit statement that the patterns in the book are based on that chart, although they appear to be. Each pattern has an individual ‘Finished Measurement’ sizing chart, but the amount of ease listed appears to be inaccurate in some instances (e.g. the jumpsuit pattern, which appears relatively fitted in the photo, states that it includes just under 10 inch ease at the bust, as does the Breton Top).

For the Culottes Pattern, for example, the overall sizing chart gives the Size 8 waist measurement as 65cm, while the finished measurement chart states the culottes have an 82cm waist (so 17cm ease). I measured the actual pattern pieces and found that the waistband measured 67cm (so a more standard 2cm ease). As such, I’d highly recommend checking the sizing charts, but then measuring the actual pattern pieces before cutting into your fabric.

Other than the sizing information, the Culottes went together easily following the illustrated step-by-step instructions. The only changes I made were to leave off the pocket (the pattern only includes a pocket at one side due to a side zip, which I thought would feel strange), and I gathered the trousers slightly in order to attach them to the waistband as there is quite a significant difference in the width of the trouser front/back pieces and the waistband.

I wore these to work today and I think they’ll be a really useful addition to my wardrobe. The fabric is a navy peachskin polyester from new online fabric shop Adam Ross Fabrics, who are based local to me in Birmingham. The fabric has a lovely drape and is super soft; I want to get some more to make a dress.

I’m wearing the culottes in these photos with a Paprika Pattern Onyx Shirt, and a woven scarf from Sancho’s Dress, handwoven in Ethiopia on a wooden loom.

Don’t forget to read the rest of the posts on the Blog Tour:

MONDAY 16TH MAY
Made Peachy
Cut Out & Keep

TUESDAY 17TH MAY
English Girl at Home
The Sewing Directory

WEDNESDAY 18TH MAY
Sew Over It

THURSDAY 19TH MAY
The Fold Line
Sew What’s New

FRIDAY 20TH MAY
By Hand London

SATURDAY 21ST MAY
A Stitching Odyssey

SUNDAY 22ND MAY
Crafty Sew & So
Guthrie & Ghani

Disclaimer: I was provided with a free copy of From Stitch to Style in exchange for a review, by Quadrille Publishing; I was provided with fabric from Adam Ross Fabrics for use in a project of my choice; all opinions expressed are my own.