english girl at home

A Sewing & Knitting Blog, Made in Birmingham, England


3 Comments

Coat Sewing

Thread Theory Goldstream Peacoat

This may be the first ever time that I haven’t blogged in a while because I was too busy sewing.

Sewing and blogging are quite closely linked for me, and, typically, if I am quiet on the blog it’s because I’ve not had the time and/or energy to sew recently.

Thread Theory Goldstream Peacoat

The community element is a big part of why I sew regularly. Before this blog, and before being conscious of the sewing community, I did sew, but without the inspiration of fellow sewers, and the added incentive of sharing my own projects and plans, it was intermittent, and just one of many hobbies.

Thread Theory Goldstream Peacoat

Thread Theory Goldstream Peacoat

The project which has kept me away from the blog this time is a coat for Phil. It isn’t the coat you can see in these pictures – which is the Thread Theory Goldstream Peacoat I made for him back in 2015. Apparently I only make him coats, as this Peacoat was the first thing I sewed for him, and the current coat is the second.

Thread Theory Goldstream Peacoat

The coat I’m currently working on is the Free Sewing Carlton Coat and I’m looking forward to sharing the coat, and lots of details about its construction, once ready. I was really hoping to have the coat ready for our holiday to New York last week; nothing like an arbitrary sewing deadline to keep you busy! I started the coat just after Christmas and thought a late February deadline would be realistic (ahem, I was actually aiming to make myself a coat too), but it has taken me many, many hours and I’m committed to getting it right.

Thread Theory Goldstream Peacoat

In the interim I took some photos of Phil in his Peacoat last week, in New York Botanical Garden. It was the first coat I sewed and I made various small errors during its construction, but the coat has worn really well despite them. The wool, from Barry’s Fabrics, has worn brilliantly with the occasional removal of bobbles from areas where he has carried a bag.

Thread Theory Goldstream Peacoat

I do like re-photographing and celebrating long-standing garments, and it was nice to get some updated photos of Phil in this coat, particularly as he looks so young to me in the previous blog post pictures now. Phil wasn’t quite so fond of being photographed – as demonstrated below!

Thread Theory Goldstream Peacoat

Advertisements


1 Comment

Holiday Snaps & Meandering Thoughts

Purl Alpaca Malachi Vest

Phil and I dragged out the Christmas holiday as long as possible, spending a few days in Alicante before returning to work this week.

These pictures, of garments I’ve previously blogged, were taken while we were away (Malachi Vest / In the Folds Jumpsuit / Tamarack Jacket). I didn’t spend a lot of time sewing over Christmas, but did start the process of making two coats (one for me and one for Phil). I’m taking my time attaching interfacing and canvas, resisting the impulse to rush ahead to construction, in order to create coats which should look, and last, all the better for it.

Purl Alpaca Malachi Vest

I wanted to thank everyone who read, or got in touch about, my recent post regarding my experience with my previous employer. A few people who commented used the word ‘proud’ which led me to recall a memory from the time which I thought was worth sharing, and which I didn’t touch on in my previous post, since I kept that largely to a blow-by-blow account.

Purl Alpaca Malachi Vest

At my lowest point working for that employer I spent one week off work, and in bed, recovering from a combination of stress and anaemia. Amongst the many emotions I felt at that time, I realised that I felt ashamed.

Grainline Studio Tamarack Jacket

Ashamed because, in a work context, I had come to view myself as a ‘strong’ person, and this had become central to my concept of – and what I valued about – myself. Certainly my concept of what constituted strength in this context (including being willing and able to work as long and hard as anyone, to take on more work and work out of hours without complaint and without getting stressed) was promoted by my employer (in my first interview for the organisation, when I was hired, I was asked about my willingness to work over and above my hours. I told them it wasn’t an issue, and meant it). However, my employer can’t take all the blame, they had simply built on an existing prejudice I held.

Grainline Studio Tamarack Jacket

How I felt at that time, physically and emotionally weak, but without a physical cause to attribute my symptoms to in order to ‘justify’ them to myself and to my employer, was incompatible with my own (and my employer’s) prejudice about what it was to be a strong person.

In the Folds Peppermint Magazine Jumpsuit

Initially I was ashamed because my view of what I valued in myself was challenged, but once I had time to dwell on it I was ashamed that I’d been judging people (predominantly myself, but inevitably, if unconsciously, my colleagues too) against a practically feudal concept. It took being physically weak to teach me that my concept of a ‘strong’ person was a nonsense, and that by judging myself against it I had set myself up to fail.

It was a humbling lesson, but in learning it I hope to be kinder to myself and others in future.

In the Folds Peppermint Magazine Jumpsuit


6 Comments

Brioche Twister Scarf

East London Knit's Brioche Twister Scarf

Last Summer, I attended a brioche class with Renée Callahan of East London Knit at Yarningham, a Birmingham-based yarn festival. After the class, before I could forget everything I had learned about brioche knitting, I started this Brioche Twister Scarf, a free pattern for signing up to Renee’s newsletter.

East London Knit's Brioche Twister Scarf

Satisfyingly this pattern only requires two skeins of (DK) yarn. Unlike fabric, I don’t tend to buy yarn without a specific pattern in mind, but I had two skeins of spur-of-the-moment purchase yarn in my stash, which were perfect for this pattern. I’m sure you must have some of those too.

East London Knit's Brioche Twister Scarf

The two yarns I used were both British and from small independents. A skein of Daughter of a Shepherd’s Hebridean & Zwartbles DK, which I purchased direct from Rachel at Yarnporium, and a skein of Harcourt Rare Breeds‘ Leicester Longwool, which I purchased direct from the farm when I visited with my Guild. I believe the Harcourt Rare Breeds’ yarns are hand-spun by local spinners. The combination of yarns makes for a very warm and snuggly scarf.

East London Knit's Brioche Twister Scarf

I finished knitting this scarf last September, then put it aside for a couple of months until a holiday to Paris and Rome during November, when it was finally cold enough to start wearing it, and where these photos were taken. It’s gotten lots of wear since during my commute to and from work.

East London Knit's Brioche Twister Scarf

I really enjoy making scarves as they don’t take too long to knit, there’s no worry about fit, and they are easy to throw on in the morning, so they tend to get worn more than other knitted items. I was planning to knit a second Brioche Twister Scarf as a gift, but, having taken a break from brioche, I returned to find I’d forgotten the technique and kept making mistakes! I might be too late for this winter, but at some point I’m definitely going to knit this pattern again in a different combination of yarns and colours.

East London Knit's Brioche Twister Scarf

East London Knit's Brioche Twister Scarf

East London Knit's Brioche Twister Scarf

East London Knit's Brioche Twister Scarf

East London Knit's Brioche Twister Scarf


1 Comment

Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

I do so love having unblogged garments to pack for a holiday! I made these Nina Lee Portobello Trousers a few weeks before heading off for a long weekend in Porto, but altered them the day we left. I spent the morning sewing and generally enjoying myself, so ended up getting dressed in all of ten minutes before flying out of the door, with make-up applied en route, and hair left to fend for itself (i.e. stick out in multiple directions).

Nina Lee Portobello Trousers

These trousers are an example of something I’m trying to get better at – going back and altering ‘completed’ garments if there’s something that is preventing me from wearing them. I made these trousers without alteration initially and wore them to work a few times, but found the crotch very low on me, resulting in lots of excess fabric at the back. I also hadn’t reduced the length of the trousers enough, meaning I had to wear them with heels (I normally wear flats) to prevent them touching the floor. Phil tactfully called them Hammer Pants and requested a rendition of the U Can’t Touch This dance; I of course obliged (not pretty).

Nina Lee Portobello Trousers

On my next version I’ll have a proper look at how the crotch curve fits me, but as an easy fix I removed the waistband and removed a couple of inches at the waist. This worked to raise the crotch and also shorten the length. They are currently back on my alterations pile as the waistband is now too loose, meaning they don’t sit on my natural waist as intended, but I’m looking forward to tweaking and then getting lots of wear out of them. I really love this style of high waisted and wide legged trousers, and the fabric is a lovely drapey wool from Barry’s Fabrics.

Nina Lee Portobello Trousers

My current approach to those garments which do need minor alterations is to have a visible pile in my sewing room. Previously I’ve left garments in the wardrobe until I’m ready to alter them and the result is that they are out of sight and out of mind. For example, I’ve been meaning to make a couple of small alterations (reducing the length and replacing the buttons) to a Southport Dress since I made it in 2015 and finally got around to it once it was sat looking at me everyday. Sadly not in time for summer!

Nina Lee Portobello Trousers

I’ve done so little sewing lately that I’m desperate to catch up with lots of exciting recent pattern releases, and Nina’s most recent pattern the beautiful Kew Dress is right at the top of that list. Like these trousers, I think Kew Version 1 will be perfect for the office.

Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

 


3 Comments

Blacker Yarns Brushwork (and a cat!)

Blacker Yarns Brushwork Swatch

As during previous years, Blacker Yarns are releasing a lovely special edition birthday yarn! Brushwork launches on the Blacker Yarns website & in selected yarn shops this Thursday 28 September (£8.40 per 50g ball) and is guaranteed to sell out quickly.

Experts at showcasing the versatility and quality of British yarns, Blacker always take the special edition yarns as an opportunity to include unusual British fibres with limited availability. This year’s yarn, Brushwork, is no exception; a blend of Scottish Bowmont (70%), Castlemilk Moorit (10%), and British Alpaca (20%). The majority of Scottish Bowmont wool goes into luxury garment manufacturing, so it’s particularly rare in commercial yarn, and Castlemilk Moorit is a breed listed as ‘at risk’ by the RBST Watchlist with only around 1,000 of these sheep left in the UK.

Blacker Yarns Brushwork Yarn

I was given the opportunity to swatch with a sample of Brushwork (in the Impasto colourway) and I love it for garment knitting. It would be especially lovely for a knitted top or jumper as it’s drapey but with great stitch definition. I like that Blacker selected to release Brushwork in a Sport weight – which is a less commonly available weight in British yarns.

The colours of the yarn are also very thoughtful and have loads of character. Inspired by watercolours and ink, the colours were achieved by dyeing the fibres in the wool before spinning, and blending as little as possible to preserve flecks of individual colour. The attention to detail stretches to the ball bands, which reflect the watercolour theme, and are very cute.

Blacker Yarns Brushwork Swatch

I was attempting to photograph my swatch (the pattern is a detail from Jean by Nadia Crétin-Léchenne in PomPom Quarterly Issue 14) on Saturday and discovered that it is apparently exactly the right size for a (neighbour) cat to rest on.

Blacker Yarns Brushwork Swatch

Cat

Cat

Cat


Leave a comment

Point of View Vest

Knitbot Linen Point of View Vest

I’ve been knitting less frequently since I started catching the train to work, with colleagues, because I’m now too busy nattering. However, recently I finally picked up and finished this project which I abandoned last summer.

Knitbot Linen Point of View Vest

This is the Point of View Vest by Hannah Fettig from Knitbot Linen. I started this vest to use up leftover Blacker Yarns Lyonesse yarn from my Hancock cardigan (another Hannah Fettig pattern). I didn’t have quite enough Lyonesse to finish this vest, and by the time I realised, the colourway (Rose Quartz) had been discontinued. Luckily, the replacement colourway (Tourmaline) is close enough that the change in shade at the shoulders doesn’t look out of place.

Knitbot Linen Point of View Vest

The Point of View pattern is designed for linen yarn; because I used a wool/linen blend, the edges of the vest inevitably curl up. I like how this looks at the front, but felt the bottom edge of the vest looked sloppy, so hand sewed ribbon along the edges to weigh them down and keep them flat.

Knitbot Linen Point of View Vest

This is a fairly impractical garment since it doesn’t add much warmth or cover, but it does look quite cute paired here with a Megan Nielsen Maker Tee and favourite People Tree skirt, and with an Inari Tee Dress. These photos were taken on holiday at Studio Ghibli Museum in Tokyo, and the Museum of The Little Prince in Hakone.

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest


15 Comments

British Fabrics Haul Vlog

British Fabrics

For the latest vlog, I’ve filmed a guide to sources of British-made fabrics. It was a perfect excuse to order lots of swatches!

You can view the vlog here:

For more info on British-made fabrics, see my list of British fibres, fabrics & haberdashery supplies.

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics