english girl at home

A Sewing & Knitting Blog, Made in Birmingham, England


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Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

I do so love having unblogged garments to pack for a holiday! I made these Nina Lee Portobello Trousers a few weeks before heading off for a long weekend in Porto, but altered them the day we left. I spent the morning sewing and generally enjoying myself, so ended up getting dressed in all of ten minutes before flying out of the door, with make-up applied en route, and hair left to fend for itself (i.e. stick out in multiple directions).

Nina Lee Portobello Trousers

These trousers are an example of something I’m trying to get better at – going back and altering ‘completed’ garments if there’s something that is preventing me from wearing them. I made these trousers without alteration initially and wore them to work a few times, but found the crotch very low on me, resulting in lots of excess fabric at the back. I also hadn’t reduced the length of the trousers enough, meaning I had to wear them with heels (I normally wear flats) to prevent them touching the floor. Phil tactfully called them Hammer Pants and requested a rendition of the U Can’t Touch This dance; I of course obliged (not pretty).

Nina Lee Portobello Trousers

On my next version I’ll have a proper look at how the crotch curve fits me, but as an easy fix I removed the waistband and removed a couple of inches at the waist. This worked to raise the crotch and also shorten the length. They are currently back on my alterations pile as the waistband is now too loose, meaning they don’t sit on my natural waist as intended, but I’m looking forward to tweaking and then getting lots of wear out of them. I really love this style of high waisted and wide legged trousers, and the fabric is a lovely drapey wool from Barry’s Fabrics.

Nina Lee Portobello Trousers

My current approach to those garments which do need minor alterations is to have a visible pile in my sewing room. Previously I’ve left garments in the wardrobe until I’m ready to alter them and the result is that they are out of sight and out of mind. For example, I’ve been meaning to make a couple of small alterations (reducing the length and replacing the buttons) to a Southport Dress since I made it in 2015 and finally got around to it once it was sat looking at me everyday. Sadly not in time for summer!

Nina Lee Portobello Trousers

I’ve done so little sewing lately that I’m desperate to catch up with lots of exciting recent pattern releases, and Nina’s most recent pattern the beautiful Kew Dress is right at the top of that list. Like these trousers, I think Kew Version 1 will be perfect for the office.

Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

Nina Lee Portobello Trousers

 

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Blacker Yarns Brushwork (and a cat!)

Blacker Yarns Brushwork Swatch

As during previous years, Blacker Yarns are releasing a lovely special edition birthday yarn! Brushwork launches on the Blacker Yarns website & in selected yarn shops this Thursday 28 September (£8.40 per 50g ball) and is guaranteed to sell out quickly.

Experts at showcasing the versatility and quality of British yarns, Blacker always take the special edition yarns as an opportunity to include unusual British fibres with limited availability. This year’s yarn, Brushwork, is no exception; a blend of Scottish Bowmont (70%), Castlemilk Moorit (10%), and British Alpaca (20%). The majority of Scottish Bowmont wool goes into luxury garment manufacturing, so it’s particularly rare in commercial yarn, and Castlemilk Moorit is a breed listed as ‘at risk’ by the RBST Watchlist with only around 1,000 of these sheep left in the UK.

Blacker Yarns Brushwork Yarn

I was given the opportunity to swatch with a sample of Brushwork (in the Impasto colourway) and I love it for garment knitting. It would be especially lovely for a knitted top or jumper as it’s drapey but with great stitch definition. I like that Blacker selected to release Brushwork in a Sport weight – which is a less commonly available weight in British yarns.

The colours of the yarn are also very thoughtful and have loads of character. Inspired by watercolours and ink, the colours were achieved by dyeing the fibres in the wool before spinning, and blending as little as possible to preserve flecks of individual colour. The attention to detail stretches to the ball bands, which reflect the watercolour theme, and are very cute.

Blacker Yarns Brushwork Swatch

I was attempting to photograph my swatch (the pattern is a detail from Jean by Nadia Crétin-Léchenne in PomPom Quarterly Issue 14) on Saturday and discovered that it is apparently exactly the right size for a (neighbour) cat to rest on.

Blacker Yarns Brushwork Swatch

Cat

Cat

Cat


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Point of View Vest

Knitbot Linen Point of View Vest

I’ve been knitting less frequently since I started catching the train to work, with colleagues, because I’m now too busy nattering. However, recently I finally picked up and finished this project which I abandoned last summer.

Knitbot Linen Point of View Vest

This is the Point of View Vest by Hannah Fettig from Knitbot Linen. I started this vest to use up leftover Blacker Yarns Lyonesse yarn from my Hancock cardigan (another Hannah Fettig pattern). I didn’t have quite enough Lyonesse to finish this vest, and by the time I realised, the colourway (Rose Quartz) had been discontinued. Luckily, the replacement colourway (Tourmaline) is close enough that the change in shade at the shoulders doesn’t look out of place.

Knitbot Linen Point of View Vest

The Point of View pattern is designed for linen yarn; because I used a wool/linen blend, the edges of the vest inevitably curl up. I like how this looks at the front, but felt the bottom edge of the vest looked sloppy, so hand sewed ribbon along the edges to weigh them down and keep them flat.

Knitbot Linen Point of View Vest

This is a fairly impractical garment since it doesn’t add much warmth or cover, but it does look quite cute paired here with a Megan Nielsen Maker Tee and favourite People Tree skirt, and with an Inari Tee Dress. These photos were taken on holiday at Studio Ghibli Museum in Tokyo, and the Museum of The Little Prince in Hakone.

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest


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British Fabrics Haul Vlog

British Fabrics

For the latest vlog, I’ve filmed a guide to sources of British-made fabrics. It was a perfect excuse to order lots of swatches!

You can view the vlog here:

For more info on British-made fabrics, see my list of British fibres, fabrics & haberdashery supplies.

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics

British Fabrics


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The Smiths Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

This is my latest Linden Sweatshirt (number seven blogged). It’s View A, Size 0 – although in this fabric I should probably have sized up to a 2 as it has limited stretch.

The original inspiration for this jumper were the excellent British wool band jumpers which Hades released earlier in the year. The Hades jumpers were limited edition and I missed the chance to buy a The Smiths jumper, so I thought I’d make my own. I’d love to knit something closer to the Hades original, but am a bit wary about tackling knitted lettering without a pattern, unless anyone can recommend something similar??

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

For this version, I cut a stencil of the lettering in acetate (more stable than paper and also reusable) and screen-printed the text using black ink onto the pre-cut Linden sweatshirt front. For reference, I always use Permaset Supercover screen printing ink to print on fabric and find it really reliable, Fred Aldous stock it in the UK.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

I found it difficult to gauge the best size and placement of lettering while the sweatshirt was in pieces. If I make another, I will increase the size of the lettering, and move it closer to the neckline.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The fabric is a loop-back jersey purchased at Guthrie & Ghani during SewBrum. This pale pink is great for letting the text stand out, but does also get grubby easy.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

I also made my scarf. This is TOFT’s Block-Colour Filet Scarf crocheted in their (British) yarn, in a natural (stone) for the main colour, with yellow for the accents. I’m pretty sure this is the same pattern (knitted in a solid colour) available from TOFT’s free pattern section. I’m not great at crochet, but this is a nice easy pattern and a relatively quick project.

My jeans are not me-made, but were made in the UK by Community Clothing.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

These photos were taken in Hagia Irene, near Topkapi Palace in Istanbul, which was the first Byzantine cathedral built in Istanbul, and is now a museum. Like all Byzantine religious buildings in Istanbul, this has had a varied history, including earthquakes and acting as an armory. We had the building entirely to ourselves on our visit, and it makes for a pretty atmospheric backdrop.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

P.S. in a similar vein, I previously blogged a screen-printed Morrissey tee.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt


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Yarnporium

Yarnporium 2016

Recently, I spent a weekend in London for a friend’s birthday and to visit new yarn show, Yarnporium.

I spent a couple of hours in the Yarnporium marketplace, while Phil did his own thing. Footage of the marketplace, plus chatter about what I bought (spoiler, I have a lot of knitting to do), is on my latest vlog. Watch it here:

Also, a friend recently introduced me to the music of Cecille Grey, who are based relatively local to me in Nottingham. Cecille Grey have very kindly allowed me to use my favourite of their songs on the vlog – I hope you love it too.

Photos of the marketplace are below. Follow Yarn in the City to keep up-to-date with future Yarnporium and other events.

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016

Yarnporium 2016


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Cornish Tin II & St. Kilda

British yarn maestros Blacker Yarns have two new yarns going on sale today at 10am!

Blacker Yarns Cornish Tin II & St. Kilda Yarns

The first is a range of new colours for Blacker’s St. Kilda lace-weight yarn, hand dyed by Joy of The Knitting Goddess.

Blacker’s St. Kilda yarn contains wool from St Kilda’s (an archipelago which is the remotest part of the British Isles) native Boreray and Soay sheep – two of the oldest and rarest of all British breeds – blended together with Shetland wool.

The St. Kilda yarns aren’t a one-off, but there will be a limited supply annually due to the fact that there’s only a limited amount of Boreray and Soay fleece available. That, coupled with the fact that this range is dyed by hand in small batches, makes this a really unique yarn (and likely to sell out fast).

Blacker kindly sent me a small skein of St. Kilda in the Conachair colourway, and I can report that the dyeing process means the colour has loads of depth – in the photos you can see that there is variation in the colour of my swatch, as opposed to a solid colour. I found the yarn bouncy, easy to work with, and great for showcasing texture and detail.

The range includes ten dyed colours, plus two natural undyed shades, and can be purchased from Blacker Yarns and The Knitting Goddess.

If you’d like to hear more about the yarn, there’s a great interview on episode 66 of the KnitBritish Podcast.

Blacker Yarns Cornish Tin II & St. Kilda Yarns

The second new release is the final batch of Cornish Tin II. This is a one-off, limited edition yarn to celebrate Blacker’s 11th birthday (following the very popular Cornish Tin last year).

The yarn is blended from 100% British fibres from small producers, and contains Alpaca, Portland, Saxon Merino, Gotland, Jacob, Shetland, Black Welsh Mountain, Mohair, and English Merino. The yarn is available in a silver grey, plus seven dyed shades (shown on the left in the photos below) all named after Cornish Tin Mines, and in 4-ply and DK weights.

To accompany the yarn, Blacker have released a gorgeous (free) sock pattern (going straight in my Ravelry queue!), and hat pattern.

Blacker Yarns Cornish Tin II & St. Kilda Yarns

I got my hands on some of the original Cornish Tin yarn last year, which was lovely to knit with, and from what I’ve heard Tin II is even more popular.

Blacker Yarns Cornish Tin II & St. Kilda Yarns