I’ve just published a new vlog to my YouTube channel, featuring my favourite sewing and knitting related things for October, and my own current projects and plans.
I have 5 pairs of tickets for The Spring Knitting & Stitching Show at Olympia London on 01-04 March 2018 to give away. These can be used on any day except Saturday 03 March.
To enter, leave a comment below, or on the related post on my Instagram account by midnight on Friday 12 January.
I’m going to be attending on the Friday (if you’ll also be attending on the Friday, it would be lovely to meet up). I’m currently deciding which class/es to take, and, having spent some time perusing the class list, I thought it would be worth sharing my favourite classes (both sewing and other crafts) below, for anyone else who is interested.
Couture Sewing Skills, Jenni McGill, Its Sew Simple (Thursday)
“working with silks and chiffons you use very different sewing techniques, instead of an over locked seam, a French seam, a pin hem instead of a fold over hem, a hand finished dart, a bound edge, gathering silk and or pleats”
Creating Texture with Fabric, Sue Cotten (Sunday)
“learn how to create texture with fabric by manipulating the basic tuck into a variety of twists, twirls and slashing to embellish home furnishings, accessories and dressmaking garments”.
Design and Make Funky Leggings, Miss Libby Rose (Thursday)
“draw up a pattern to your own measurements so we can design, style and make these funky trousers and learn how to use the sewing machine using stretchy jersey fabric”.
Design your own Fabric with Spoonflower, Ceri Gwen, Spoonflower (Friday, Saturday and Sunday)
“Learn how to create a seamless repeat by hand for making your own repeating surface designs. Each participant will receive a fat quarter of their design printed in Spoonflower’s Berlin factory”.
Fabric Manipulation: Pleats, Tucks & Ruffles, Jenni McGill, Its Sew Simple (Sunday)
“Working on a Janome sewing machine you will create samples using creative
techniques, ranging from; a diamond box pleat, pin tucking, tuck and fold pleats, to a shaped fabric ruffle”.
Fly Front Trouser Zip 1,2,3, Janice Croft (Sunday)
Learn the correct way to install a tailored trouser zip. How to achieve the proper overlap, neat top stitching and back placket”.
Lovely Lacy Knickers, Claire Tyler (Thursday & Saturday)
“Making knickers is simple and fun, using a simple pattern and stretch lace create these pretty knickers”.
Pattern Alterations for Bigger Busts, Claire Tyler (Thursday & Saturday)
“Learn to alter a commercial pattern for a fuller bust for garments with and without darts or with princess seams”.
Stylish Seams and Hems, Claire Tyler (Saturday)
“Learn how to finish your garments with unusual seams and hems perfect for popular fabrics like stretch, scuba, denim and boiled wool. Many of these techniques aren’t found in patterns”.
Goldwork Acorns, Royal School of Needlework (Thursday & Saturday)
“The design will teach the technique of padding to create raised areas as well as the two main techniques of Goldwork: Couching of Pearl Purl and Cutwork with bright check purl. These techniques will both give a different textural effect to this charming acorn design and will give skills that can be used to create rich and sparkly embellishments”.
Stunning Embellished Sequin Flower, Hannah Read-Baldrey (Friday)
“Learn how to embellish garments with beautiful sewn sequinned flowers. Work with craft writer and presenter Hannah Read-Baldrey on a beautiful project from her new book FlowerBomb!”
Strawberry Cross Stitch on Linen or Aida, The Cross Stitch Guild (Everyday)
“Join the Cross Stitch Guild for this ideal class for the beginner or a stitcher wanting to try linen for the first time!”
Ten Stitch Sampler, The Cross Stitch Guild (Everyday)
“This project is worked on linen fabric and gives the student a chance to try different counted stitches on a little sampler”.
Hoorah, I finally made it back to my blog. A little more on that below, but first a finished knitted garment; the Malachi Vest from Purl Alpaca Designs.
I bought the yarn and pattern for this vest as a kit from Purl Alpaca Designs at Yarnporium over a year ago. This make was a case of falling in love with the product photo. I still want to recreate the whole look, as the model looks sooo good. I used the recommended yarn, Purl Alpaca’s 100% pure alpaca medium yarn in colours Alpaca Earth and Champagne.
In typical fashion I started knitting this last January, but didn’t finish it until April when it was too warm to wear. I was very happy to pack this vest for a recent trip to Rome and Paris, where I finally got chance to wear it, and where these photos were taken. I’m still figuring out what to wear it with, and (thanks to the product photo) I think I need a white shirt – something my wardrobe is currently missing, ever since I threw out the last RTW one I owned.
Knitting, along with sewing, blogging, and all of my other hobbies, had fallen by the wayside this year.
A little over six months ago I was asked to ‘act up’ at work and take on a raft of new responsibilities. Although ostensibly a change of role, in reality these responsibilities were on top of my existing job, since the existing work still needed to be delivered. In fact, over that six-month period the workload only continued to expand, and, as that happened, I made the decision to keep on top of the workload by increasingly extending my working days and retaining less and less time for my hobbies.
As an indication, I’ve published 1-2 blog posts per week for the last five years (an average of 64 – 86 per year), with 2017 the first year I didn’t manage that frequency of posts (or anything like it) since 2011.
Reducing time for my hobbies seemed a sensible decision; the best way to avoid them feeling like an additional task to tick off a to-do list. However, it also meant that I didn’t participate in things I’ve previously enjoyed (like pattern testing or community challenges) this year, and when the lure of a community challenge (like the Refashioners) or pattern test proved too great to resist, I invariably failed to complete by the deadline.
Those hobby-related activities which did have deadlines, like the Sewing Weekender or SewBrum, were less fun this year than previously. As organiser, half the fun of an event is in the preparation (as the event itself always whizzes by so fast), and if you have very little time for that preparation, and not enough to do as good a job as you would like, it takes away some of the enjoyment – and leads you to rely heavily on others (apologies to Kate, Rachel & Lauren!).
Even trips like the holiday where these photos were taken became less appealing in advance, because when you’re working pretty much every evening you don’t have time to prepare yourself to go away, and are really keen to spend as much time as possible at home.
I was willing to commit time to work over my hobbies for one reason only – I have the best colleagues, who are some of my absolute favourite people, and I assumed by working hard I could make some positive changes which would benefit all of us.
In the last couple of weeks, my role at work changed in a way which meant that the workload (at least in the short-term) would continue, and likely increase, but my ability to actually make improvements to support my friends was further decreased. At the same time my body decided enough hours was enough and required a few days at home, resting and stocking up on vitamins.
As is often the case, a little distance helped me to see sense. If the one reason I was willing to take on a difficult role was removed, why was I continuing? I’ve returned to my previous role at work and I’ve committed to a New Year’s Resolution starting right away, in advance of the New Year. I’ll no longer be working excessive hours; I’m going to do as good a job as possible during my working hours, and then I’m going to head home and spend my time on my hobbies.
Expect to see a lot more of me in 2018.
As during previous years, Blacker Yarns are releasing a lovely special edition birthday yarn! Brushwork launches on the Blacker Yarns website & in selected yarn shops this Thursday 28 September (£8.40 per 50g ball) and is guaranteed to sell out quickly.
Experts at showcasing the versatility and quality of British yarns, Blacker always take the special edition yarns as an opportunity to include unusual British fibres with limited availability. This year’s yarn, Brushwork, is no exception; a blend of Scottish Bowmont (70%), Castlemilk Moorit (10%), and British Alpaca (20%). The majority of Scottish Bowmont wool goes into luxury garment manufacturing, so it’s particularly rare in commercial yarn, and Castlemilk Moorit is a breed listed as ‘at risk’ by the RBST Watchlist with only around 1,000 of these sheep left in the UK.
I was given the opportunity to swatch with a sample of Brushwork (in the Impasto colourway) and I love it for garment knitting. It would be especially lovely for a knitted top or jumper as it’s drapey but with great stitch definition. I like that Blacker selected to release Brushwork in a Sport weight – which is a less commonly available weight in British yarns.
The colours of the yarn are also very thoughtful and have loads of character. Inspired by watercolours and ink, the colours were achieved by dyeing the fibres in the wool before spinning, and blending as little as possible to preserve flecks of individual colour. The attention to detail stretches to the ball bands, which reflect the watercolour theme, and are very cute.
I was attempting to photograph my swatch (the pattern is a detail from Jean by Nadia Crétin-Léchenne in PomPom Quarterly Issue 14) on Saturday and discovered that it is apparently exactly the right size for a (neighbour) cat to rest on.
I’ve been knitting less frequently since I started catching the train to work, with colleagues, because I’m now too busy nattering. However, recently I finally picked up and finished this project which I abandoned last summer.
This is the Point of View Vest by Hannah Fettig from Knitbot Linen. I started this vest to use up leftover Blacker Yarns Lyonesse yarn from my Hancock cardigan (another Hannah Fettig pattern). I didn’t have quite enough Lyonesse to finish this vest, and by the time I realised, the colourway (Rose Quartz) had been discontinued. Luckily, the replacement colourway (Tourmaline) is close enough that the change in shade at the shoulders doesn’t look out of place.
The Point of View pattern is designed for linen yarn; because I used a wool/linen blend, the edges of the vest inevitably curl up. I like how this looks at the front, but felt the bottom edge of the vest looked sloppy, so hand sewed ribbon along the edges to weigh them down and keep them flat.
This is a fairly impractical garment since it doesn’t add much warmth or cover, but it does look quite cute paired here with a Megan Nielsen Maker Tee and favourite People Tree skirt, and with an Inari Tee Dress. These photos were taken on holiday at Studio Ghibli Museum in Tokyo, and the Museum of The Little Prince in Hakone.
I’ve got a jumper to share today that has been some time in the knitting.
I’m a huge fan of Hannah Fettig’s knitwear designs. I knit two projects from her book Home and Away at the end of last year / start of this (Lesley and Hancock), and have two projects from Knitbot Linen on the needles (I failed to finish them in time for last summer; maybe I’ll manage for this spring/summer). So, unsurprisingly, I’m really excited about Hannah’s brand-spanking-new book, Texture.
I was also really excited when Hannah asked if I would like to be a test knitter for a project from Texture back in the summer. However, I entirely overestimated both my knitting ability and speed, and available time. I selected the Wharf Street Pullover, a bottom-up pullover featuring honeycomb cables, and raglan three-quarter sleeves (ahem, more on these below).
Feedback was due back with Hannah in the autumn; I finished knitting the pullover this week… So apologies to Hannah for being a useless test knitter, but I have ended up with a lovely jumper! I have also ended up with a jumper which is quite different from Hannah’s design, which is intended to be quite a bit shorter in the body and sleeves. I may yet go back and alter it to be a closer match to Hannah’s design, but I do quite like this alternative slouchy version. I attribute the added length to my gauge being off, and possibly also to wearing it for these photos (and for some hours before) while it was damp, following its first wash, which I suspect resulted in some stretching which blocking should reduce. It possibly also resulted in me temporarily smelling a little bit like a wet sheep…
The honeycomb stitch which makes up the bulk of the Wharf Street Pullover is straightforward, if relatively time consuming. I made some mistakes when attempting to maintain the pattern on increase/decrease rows, particularly on the sleeves, but I was working from the test pattern, and the final version may do more hand-holding on these sections.
In contrast to my usual contrariness, I knit this using the suggested yarn, Quince & Co’s Owl (worsted 50% American wool, 50% alpaca, which is spun and dyed in USA) in the ‘mesa’ colourway. The yarn showcases the honeycomb cable beautifully and is suitably sheepy and warm.
The Wharf Street Pullover is one of 13 designs included in Texture, which features a mix of garment and accessory patterns using cables and textured stitches, designed in Quince yarns. As with Home and Away, the book contains a number of tutorials – I haven’t seen these yet, but the tutorials in Home & Away were excellent, so I’m expecting similar. Plus, the photography is gorgeous.
Right, I’m off to plan what I can knit next, and hopefully finish in time to wear this winter!
Hurrah for Christmas holidays! I’ve finally caught up with video editing and have a few vlogs to share soon. First off, I have some footage from a day trip to The Knitting & Stitching Show in Harrogate, back in November. You can view the video here:
I bunked off work for the day with my friend and colleague Sheena and we had a very nice day trip to Harrogate and mooch around the show. Afterwards, I met up with another colleague and friend to head to a Cecille Grey (whose music is featured on the vlog) gig in Nottingham, so an extremely fun day all ’round.