english girl at home

A Sewing & Knitting Blog, Made in Birmingham, England


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Knitbot Trail Jacket

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn

Having done very little knitting last year after a couple of dissatisfying projects, I had a really productive few months over Christmas and into the start of the new year. One of the projects I completed was this Trail Jacket, by Hannah Fettig (Knitbot). I finished it shortly before leaving for a trip to New York in February, and I bought and attached the buttons while on holiday. These pictures were taken a few days later while visiting the Museum of the Moving Image (see picture with muppet below!).

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn

I bought the pattern in 2016 and the yarn (West Yorkshire Spinners Croft Yarn in Boddam colourway) from BritYarn (RIP) in 2017, so I’m glad to finally bring the jacket to fruition. The yarn is aran weight and the pattern easy to follow so the jacket knits up really quickly.

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn

I don’t have much of a yarn stash. I have the odd ball brought back from a holiday, leftover odds and ends, and a few more substantial amounts of yarn bought for a project, such as this, which it has taken me longer than expected to get around to knitting. I’m hoping to work through those project-quantities of yarn this year, and then buy yarn as I’m ready to knit with it. We’ll see how I do. The same is NEVER going to happen with fabric/sewing patterns.

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn

My button placket isn’t the neatest (I had to position the buttons quite far across in order for them to sit centrally once fastened), but I know I’ll wear this jacket loads. I definitely wear knitted cardigans/jackets more than sweaters, since they can be worn as a layering piece year ’round. I really like the cropped sleeves (although inevitably they want to ride up when I put a coat on), and I love the specked ‘tweed’ effect of the Croft yarn, which is made with 100% Shetland Island wool.

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn

The next project I’ve started using my existing yarn stash is a hap in lace weight yarn so I’m expecting that one to take quite a bit longer than this jacket. Wish me luck in keeping on track!

Hannah Fettig Trail Jacket in West Yorkshire Spinners Croft yarn
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Two Knitted Skating Hats

Portsmouth Skating Hat by Julie Bierlein in West Yorkshire Spinners Re:treat

A few months ago, a vintage fashion Instagrammer I follow posted a picture of herself in a ear warmer she had made and I decided I had to have one.

I made a search on Ravelry (ear warmer? head warmer? headband?) and managed to stumble on a free pattern by Julie Bierlein for the Portsmouth knitted skating hat.

Portsmouth Skating Hat by Julie Bierlein in Alafosslopi

This is a simple and well designed pattern, with the option to knit in chunky/bulky or super chunky/bulky yarn. I knit two versions and each one took me two evenings, at a relaxed pace.

I really wanted a pink hat, but I thought I’d test the pattern with some stash yarn first, and used Ístex Álafoss Lopi in Golden Heather for my yellow version. I bought this yarn on a whim during a trip to Sweden back in 2015, and I previously used some of the ball in this hat. I still have loads left so no doubt it will show up on the blog again at some point.

Portsmouth Skating Hat by Julie Bierlein in Alafosslopi

Having tested out the pattern, I ordered some pink yarn for version two. Always keen to support British yarn companies, I chose West Yorkshire Spinners Re:treat yarn in the Escape colourway.

Both the yarns I used were chunky weight yarns, but the Alafoss is much firmer, which I think works really well for this pattern. Despite being my test version, my yellow version keeps its shape better and has a crisper silhouette. The soft pink yarn is much softer and has more stretch. I should have compensated for the stretch by knitting the pink hat slightly shorter but I didn’t realise until it was already finished and washed.

Portsmouth Skating Hat by Julie Bierlein in West Yorkshire Spinners Re:treat

I wasn’t sure how often I would wear these ‘hats’, but I wore them daily during a recent trip to New York. From the perspective of someone with long hair, they do a good job of keeping your head warm, and wearing them doesn’t result in a ‘hat hair’ effect.

For a fairly frivolous looking accessory they are actually quite practical, and easy to roll-up and pop in a pocket or bag when not being worn.

Portsmouth Skating Hat by Julie Bierlein in West Yorkshire Spinners Re:treat

I’m currently making a hat which definitely can’t be described as practical, a small pillbox hat to wear to the Dressmakers’ Ball next week, using some leftover fabric from my dress.

This was definitely one time when I was glad to have purchased slightly more fabric than I needed for the dress as I’m also planning to make a matching belt, and maybe a bag. There’s only four days left before the Ball now – wish me luck.

Portsmouth Skating Hat by Julie Bierlein in West Yorkshire Spinners Re:treat


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Altered Wharf Street Pullover

Wharf Street Pullover by Hannah Fettig

During 2016 (and following being one of the winners of the We Wear Knitbot Competition), I was extremely flattered to be asked to test knit a pattern from Hannah Fettig‘s upcoming book, Texture.

I selected the Wharf Street Pullover, and it was a reminder that I am still a relatively inexperienced knitter as it took me far longer than the testing period to knit and I missed the deadline for feedback, plus my finished jumper (blogged in 2017) ended up excessively long in the body and sleeves.

Wharf Street Pullover by Hannah Fettig

Unsurprisingly, I didn’t get a lot of wear from a tunic length jumper, so last year I built up the courage to finally alter it. Since the pattern is knit bottom-up, it isn’t possible to unravel from the bottom. Instead you need to decide where you want to remove length from, cut into the jumper at this point, and then unravel downwards, towards the hem. Due to the honeycomb cables it wasn’t quite as simple as that, since the yarn didn’t want to unravel and needed quite a lot of untangling.

Wharf Street Pullover by Hannah Fettig

As it was my first time removing length from a jumper in this way, I started by cutting into the jumper lower down and unravelling that section, then repeated the process higher up. Once the jumper was a length I was happy with I picked the stitches back up and replaced the ribbing. I repeated this process for the body and the sleeves, and the resulting jumper is much more wearable and flattering

Wharf Street Pullover by Hannah Fettig

These pictures were taken in front of a warehouse which is located right by Barry’s Fabrics. No wonder I look happy in the picture below, I’m probably plotting what fabric/s I am about to buy.

Wharf Street Pullover by Hannah Fettig

My current knitting project is a Hannah Fettig design, Trail Jacket, which should be a relatively quick knit. My all-time most worn knitting project, the Hancock Cardigan, is also by Hannah and at some point I really must knit another as it’s the perfect cardi for throwing over any outfit.

Wharf Street Pullover by Hannah Fettig

Phil is busy laying tiles in our kitchen as I type, so I’ll leave you to show solidarity by preparing some lunch. I’m awaiting the imminent arrival of an embossing label ‘printer’, with which I plan to annotate a book of my sewing plans – sounds like a perfect Sunday afternoon.

Wharf Street Pullover by Hannah Fettig

P.S. the yarn used was the yarn suggested in the pattern; Quince & Co’s Owl (worsted 50% American wool, 50% alpaca, which is spun and dyed in USA) in the ‘mesa’ colourway.

Wharf Street Pullover by Hannah Fettig


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Holiday Snaps & Meandering Thoughts

Purl Alpaca Malachi Vest

Phil and I dragged out the Christmas holiday as long as possible, spending a few days in Alicante before returning to work this week.

These pictures, of garments I’ve previously blogged, were taken while we were away (Malachi Vest / In the Folds Jumpsuit / Tamarack Jacket). I didn’t spend a lot of time sewing over Christmas, but did start the process of making two coats (one for me and one for Phil). I’m taking my time attaching interfacing and canvas, resisting the impulse to rush ahead to construction, in order to create coats which should look, and last, all the better for it.

Purl Alpaca Malachi Vest

I wanted to thank everyone who read, or got in touch about, my recent post regarding my experience with my previous employer. A few people who commented used the word ‘proud’ which led me to recall a memory from the time which I thought was worth sharing, and which I didn’t touch on in my previous post, since I kept that largely to a blow-by-blow account.

Purl Alpaca Malachi Vest

At my lowest point working for that employer I spent one week off work, and in bed, recovering from a combination of stress and anaemia. Amongst the many emotions I felt at that time, I realised that I felt ashamed.

Grainline Studio Tamarack Jacket

Ashamed because, in a work context, I had come to view myself as a ‘strong’ person, and this had become central to my concept of – and what I valued about – myself. Certainly my concept of what constituted strength in this context (including being willing and able to work as long and hard as anyone, to take on more work and work out of hours without complaint and without getting stressed) was promoted by my employer (in my first interview for the organisation, when I was hired, I was asked about my willingness to work over and above my hours. I told them it wasn’t an issue, and meant it). However, my employer can’t take all the blame, they had simply built on an existing prejudice I held.

Grainline Studio Tamarack Jacket

How I felt at that time, physically and emotionally weak, but without a physical cause to attribute my symptoms to in order to ‘justify’ them to myself and to my employer, was incompatible with my own (and my employer’s) prejudice about what it was to be a strong person.

In the Folds Peppermint Magazine Jumpsuit

Initially I was ashamed because my view of what I valued in myself was challenged, but once I had time to dwell on it I was ashamed that I’d been judging people (predominantly myself, but inevitably, if unconsciously, my colleagues too) against a practically feudal concept. It took being physically weak to teach me that my concept of a ‘strong’ person was a nonsense, and that by judging myself against it I had set myself up to fail.

It was a humbling lesson, but in learning it I hope to be kinder to myself and others in future.

In the Folds Peppermint Magazine Jumpsuit


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Knitting & Stitching Show at Olympia Ticket Giveaway

Mr X Stitch - Wrap Cover

I have 5 pairs of tickets for The Spring Knitting & Stitching Show at Olympia London on 01-04 March 2018 to give away. These can be used on any day except Saturday 03 March.

To enter, leave a comment below, or on the related post on my Instagram account by midnight on Friday 12 January.

I’m going to be attending on the Friday (if you’ll also be attending on the Friday, it would be lovely to meet up). I’m currently deciding which class/es to take, and, having spent some time perusing the class list, I thought it would be worth sharing my favourite classes (both sewing and other crafts) below, for anyone else who is interested.

Sewing:

Couture Sewing Skills, Jenni McGill, Its Sew Simple (Thursday)
“working with silks and chiffons you use very different sewing techniques, instead of an over locked seam, a French seam, a pin hem instead of a fold over hem, a hand finished dart, a bound edge, gathering silk and or pleats”

Creating Texture with Fabric, Sue Cotten (Sunday)
“learn how to create texture with fabric by manipulating the basic tuck into a variety of twists, twirls and slashing to embellish home furnishings, accessories and dressmaking garments”.

Design and Make Funky Leggings, Miss Libby Rose (Thursday)
“draw up a pattern to your own measurements so we can design, style and make these funky trousers and learn how to use the sewing machine using stretchy jersey fabric”.

Design your own Fabric with Spoonflower, Ceri Gwen, Spoonflower (Friday, Saturday and Sunday)
“Learn how to create a seamless repeat by hand for making your own repeating surface designs. Each participant will receive a fat quarter of their design printed in Spoonflower’s Berlin factory”.

Fabric Manipulation: Pleats, Tucks & Ruffles, Jenni McGill, Its Sew Simple (Sunday)
“Working on a Janome sewing machine you will create samples using creative
techniques, ranging from; a diamond box pleat, pin tucking, tuck and fold pleats, to a shaped fabric ruffle”.

Fly Front Trouser Zip 1,2,3, Janice Croft (Sunday)
Learn the correct way to install a tailored trouser zip. How to achieve the proper overlap, neat top stitching and back placket”.

Lovely Lacy Knickers, Claire Tyler (Thursday & Saturday)
“Making knickers is simple and fun, using a simple pattern and stretch lace create these pretty knickers”.

Pattern Alterations for Bigger Busts, Claire Tyler (Thursday & Saturday)
“Learn to alter a commercial pattern for a fuller bust for garments with and without darts or with princess seams”.

Stylish Seams and Hems, Claire Tyler (Saturday)
“Learn how to finish your garments with unusual seams and hems perfect for popular fabrics like stretch, scuba, denim and boiled wool. Many of these techniques aren’t found in patterns”.

Other Crafts:

Goldwork Acorns, Royal School of Needlework (Thursday & Saturday)
“The design will teach the technique of padding to create raised areas as well as the two main techniques of Goldwork: Couching of Pearl Purl and Cutwork with bright check purl. These techniques will both give a different textural effect to this charming acorn design and will give skills that can be used to create rich and sparkly embellishments”.

Stunning Embellished Sequin Flower, Hannah Read-Baldrey (Friday)
“Learn how to embellish garments with beautiful sewn sequinned flowers. Work with craft writer and presenter Hannah Read-Baldrey on a beautiful project from her new book FlowerBomb!”

Strawberry Cross Stitch on Linen or Aida, The Cross Stitch Guild (Everyday)
“Join the Cross Stitch Guild for this ideal class for the beginner or a stitcher wanting to try linen for the first time!”

Ten Stitch Sampler, The Cross Stitch Guild (Everyday)
“This project is worked on linen fabric and gives the student a chance to try different counted stitches on a little sampler”.