english girl at home

A Sewing & Knitting Blog, Made in Birmingham, England


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1983 Inspired Tees

The Smiths Screenprinted Seamwork Tees

Hi everyone, I’m sharing some photos taken in our garden today, which is possibly the furthest I’m venturing for any blog photos for a little while. I haven’t been stuck at home long enough to actually tackle any gardening yet (it may be coming), but I did pop outside to get some pictures of these t-shirts, and to join in with an online tap class on the patio (not pictured).

The Smiths Screenprinted Seamwork Tees

These t-shirts are one of my projects for the Sew Your Birth Year challenge currently being run by The Sewcialists. I was born in 1983, the same year my favourite band, The Smiths, formed and first toured. These tees are based on the design of a t-shirt from that original tour, featuring the band name and a bunch of daffodils. I was originally just making myself one but Phil requested one too, cue matchy matchy photos!

The Smiths Screenprinted Seamwork Tees

My t-shirt is a Seamwork Jane tee (size XS; see my previous version here). Phil’s t-shirt a pattern hack, it’s the neckline and shoulders of the Thread Theory Strathcona Henley, and the body of the Seamwork Eugene, graded between the two at the armhole (also using the sleevehead of the Strathcona, but the bottom of the sleeve is the Eugene!).

The Smiths Screenprinted Seamwork Tees

The fabric for both is a ‘Maria’ cotton jersey from Sew Me Sunshine. I completely overlooked that a t-shirt for Phil requires more fabric than I am used to ordering to make a t-shirt for me, and I used every scrap of the 1.5 metres of fabric I ordered (to hell with grainlines) to cut out these tees. I very carelessly pre-washed the white fabric along with some coloured jersey and it came out of the washing machine a light pink (the tees are pinker in real life than they look in these photos). Despite my errors the t-shirts came to fruition, and if anything a pink t-shirt is more interesting than a white one!

The Smiths Screenprinted Seamwork Tees

I screen printed the designs by cutting three stencils out on acetate sheets (one for each colour), and printing through these using a screen and fabric printing inks. I haven’t done any screen printing for quite some time and the black lettering is quite patchy, but I don’t think that looks out of place on a band tee.

The Smiths Screenprinted Seamwork Tees

I have another 1983 inspired project to share very soon. Due to being a teenager at the time, the 90s is the decade where I have most personal connection with the clothes, including with lots of individual garments I wore or wanted to wear, but it has been really good fun to find sewing inspiration from the year I was born.

The Smiths Screenprinted Seamwork Tees The Smiths Screenprinted Seamwork Tees


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March Sewing Zine Vlog

No new vlogs for two months and then two in one week!

I’ve just uploaded a new vlog about what I’ve been up to lately, including my plans for the Sewcialists Sew Your Birth Year mini-challenge, and attending a soft basketry workshop.

View it below or via my YouTube channel:

Things mentioned:

The Sewcialists Sew Your Birth Year Mini Challenge

Sugardale, Len Coveralls

SewOver50, #so50visible challenge

My The Maker’s Atelier Asymmetric Gather Dress

Paper Theory Patterns, Olya Shirt/Shirt Dress

Soft basketry workshop with Averil Otiv

The SewBrum Meet-up (Saturday 24th October 2020)

Little Black Duck, Spools of Thread Mini Quilt


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Online Sewing Events Right Now

With in-person meet-ups impossible for most of us at the moment, I’ve compiled a list of some online sewing events. These are a chance to chat to others in the sewing community or to join in with a live sew-along.

I’m talking about these in my latest vlog, and I’ve also shared the list in the latest post on The Sewcialists blog.


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SewBrum 2020 – 24th October

I wanted to pop on the blog to send best wishes to everyone who is being affected by Coronavirus, whether through sickness or risk of sickness, impact on your income or business, or stress at the ongoing uncertainty.

It might sound a bit frivolous, but I also wanted to share a save the date for SewBrum 2020.

This year’s meet-up (which will be the seventh!) will take place on Saturday 24th October 2020. It will be an opportunity to get together in person later this year, and to support independent shops in Birmingham. It’s also a free event so can be a cheap day out (dependent on your travel arrangements). Plus, as a free event, if your plans change nearer the date you can cancel your registration at any time (spaces aren’t limited).

You can sign-up on Eventbrite, and find more information on my blog, including accessibility of the venues we visit.

If you haven’t attended before, SewBrum is a free-to-attend meet-up of people who love to sew in Birmingham, UK. Everyone is welcome. We will start the day in Birmingham city centre and then travel to Guthrie & Ghani in Moseley Village, by bus.

Logo by illustrator and sewist Maike Plenzke.


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Best Beret

Best Beret by James N Watts

Despite the fact that I rarely wear hats, including the RTW beret I have owned for years, at the end of last year I suddenly got the urge to knit a beret. I originally purchased a different knitting pattern, but then James N Watts’ Best Beret pattern was released and was exactly what I was looking for. I made the Classic Silhouette version, in adult small size and with a single stalk.

Best Beret by James N Watts

I think a brighter yarn colour would have made for a more interesting finished accessory. This yarn was a spur of the moment purchase before leaving for a holiday in New York, where I first cast on the beret.

It is the same yarn, West Yorkshire Spinners’ Croft yarn (although in a slightly different colourway), that I used to make the cardigan below – Knitbot’s Trail Jacket. This is my first time wearing them together and, unsurprisingly, they pair well.

Best Beret by James N Watts

I usually pester Phil to take photos of my sewing & knitting projects for the blog, but I took these myself in the local park and am planning to do so more often. A key incentive to taking my own photos (other than being able to take as long as I like over it) has been purchasing a much improved tripod.

A few weeks ago Phil asked if we could visit a new photography shop that had opened in Birmingham. I wasn’t particularly interested but was happy to accompany him. Phil didn’t buy a thing. I left with a tripod and a ring light!

Best Beret by James N Watts

As a glasses wearer I find light sources for photo and video tricky, but I’ve used the ring light to help with a few photos taken in the house so far. It also came in useful as a general light source when I was attempting to set up a warp on my loom into the evening last weekend. It’s much brighter than most lamps and the warping process is liable to give anyone eye strain.

Best Beret by James N Watts

I posted about my first attempt at preparing a warp and putting it onto the loom on Instagram over the weekend. It wasn’t a success – I didn’t get to any weaving and will be starting again from scratch – but I’m feeling more prepared for next time, and looking forward to trying again when I can set aside a weekend for it. Expect to see some weaving on the blog (relatively) soon.

Best Beret by James N Watts


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Two Jarrah Sweaters

Megan Nielsen Jarrah Sweater

Pattern: Jarrah Sweater by Megan Nielsen

Sewing time taken (excluding cutting out): 3 hours each

Fabric: (pink & grey) double-sided sweat-shirting from Bennytex, bought during #ParisSewcial / (blue) Atelier Brunette sweat-shirting from Guthrie & Ghani

Megan Nielsen Jarrah Sweater

Sweatshirts are one of my favourite sewing projects. They are really quick and easy to make, don’t use a lot of fabric, and I get loads of wear out of them. Last year I decided I needed to branch out from Grainline’s Linden pattern, and Megan Nielsen’s Jarrah was one of the alternative patterns I tried.

Megan Nielsen Jarrah Sweater

One of the benefits of the Jarrah pattern is that it’s very versatile, with neckline, hem and sleeve variations. I’ve made two versions, both using the tie-front option, and two different sleeves. My first version (in blue below) used the standard cuffed sleeve, and my second version (in pink and grey) used the split sleeve hem. I reduced the length of the split sleeve by a couple of inches, as originally my hands were completely hidden (which looked weirder than it sounds when worn & wasn’t very practical).

Megan Nielsen Jarrah Sweater

I especially love this pink and grey version. The fabric was a bargain, purchased from Bennytex during the #ParisSewcial meet-up. It’s a double-sided fabric which is such an easy way to add some extra interest to the pattern. Having made a lot of sweatshirts I do think that getting the right weight of fabric makes a big difference. The Atelier Brunette fabric used for the blue version below, although high quality, is actually a little too light weight in my opinion. Resulting in it not hanging as well, and creasing quickly. I find that the Liberty sweat-shirting (as used in this DPL belted) can be a little too heavy weight, ending up in a very bulky sweatshirt. This pink and grey fabric is about right, although veering slightly towards too lightweight. In Goldilocks terms, of the sweatshirts I have made this Linden is the closest to the fabric weight being just right (I think it’s this Fabrics Galore fabric). It has enough structure to hang well, barely creases, and is suitably cosy.

Megan Nielsen Jarrah Sweater

Due to the grown-on sleeve, Jarrah has a slightly slouchier look than the Linden (which has a raglan sleeve), and you can see some bunching of fabric around the armpits in these pictures which I think is totally acceptable in a sweatshirt.

Megan Nielsen Jarrah Sweater

Another of my other favourite things about making sweatshirts is that, once they are looking a bit too tired or bobbly for wearing out to work or at the weekend, they are perfect for wearing around the house. I’m going to throw one on now (as I’m currently still in pyjamas) to tidy the house and hopefully get to some sewing this Sunday afternoon.

Megan Nielsen Jarrah Sweater Megan Nielsen Jarrah Sweater Megan Nielsen Jarrah Sweater Megan Nielsen Jarrah Sweater Megan Nielsen Jarrah Sweater Megan Nielsen Jarrah Sweater


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FreeSewing Carlton Coat

FreeSewing Carlton Coat

Back in 2015, I made a coat for Phil using Thread Theory’s Goldstream Peacoat pattern. That coat has been fantastic (and I would highly recommend the pattern), but after five years of continual wear it had started to look a little tired lately. Phil began asking for a replacement around a year ago, and I decided that it would be an ideal opportunity to finally try out a pattern from FreeSewing. I love the ethos (and the coding genius) of FreeSewing and support the site as a patron, but was yet to try out a FreeSewing pattern.

FreeSewing Carlton Coat in progress FreeSewing Carlton Coat in progress

If you aren’t familiar with the site, it is community-based, entirely free to use and patterns are generated based on your specific measurements. The FreeSewing pattern I used, the Calton Coat, was released on the site in 2018 and is based on the coat worn by Benedict Cumberbatch in the Sherlock series. It has some really nice details, including a large turned-back cuff, 6 pockets (2 exterior patch, 2 internal patch, 2 welt), and a pleated coat tail.

FreeSewing Carlton Coat in progress FreeSewing Carlton Coat in progress

Due to the nature of FreeSewing (i.e. free and community-based), there aren’t currently any instructions for the Carlton Coat (although there are some for the women’s version, Carlita). Some of the more unusual pattern pieces did bamboozle me slightly, but the pattern’s designers Joost and Anneke kindly helped out when I got stuck! I was planning to write up a detailed tutorial for the construction process, but due to having a one year break in the middle I’m afraid that I don’t remember it well enough.

FreeSewing Carlton Coat in progress FreeSewing Carlton Coat

FreeSewing can generate PDF pattern files in A0 format (yippee), so I sent the pattern pieces off for printing and began making this coat roughly a year ago. The main fabric is a wool blend from Barry’s Fabrics here in Birmingham, and the lining is a Liberty cotton purchased from the “Liberty Man” (The Little World of Fabric) in Birmingham Rag Market. I interfaced pretty much every piece of this coat using a coat weight interfacing from the English Couture Company. It’s a great quality interfacing – I’ve seen similar inside RTW outerwear that I’ve refashioned. I used a hair canvas to stablise key areas of the coat (as shown in some of the construction photos above and below), and referred to an old tailoring blog series from Gertie when pad stitching the lapel and under collar. While on the subject of tutorials, I referred to this Thread Theory tutorial when constructing the welt pockets.

FreeSewing Carlton Coat FreeSewing Carlton Coat

I didn’t make a toile for this coat, and I spent ages on alterations as a result. When sewing for myself, I can almost always get away without sewing a toile, tweaking the fit of a garment until I’m happy with it. I shouldn’t assume that I can get away with the same when sewing for others. I also think that it’s a good idea to always toile a pattern, such as this one, which is generated based on the size information you input. The fit of the version you sew isn’t going to be the same as anyone else’s, and it’s always possible that you could have made an error in the sizing information input.

FreeSewing Carlton Coat in progress FreeSewing Carlton Coat in progress

I originally set myself an arbitrary deadline to get this coat ready for Phil to wear during a trip to New York in March 2019. I had long enough to finish it if, and only if, there were no fit issues. Of course, there were fit issues, so Phil carried on wearing his Goldstream Peacoat. With the weather warming up, I then put aside the in-progress Carlton Coat until the start of this year.

FreeSewing Carlton Coat FreeSewing Carlton Coat

As first sewn, the coat was generally too large, particularly around the armholes and sleeves. I reduced the length of the sleeves (I didn’t want to mess with the cuffs so took height off at the sleeve caps), narrowed the width of the shoulders, narrowed the sleeves, and raised the armholes (adding in underarm gussetts). I also reduced the length of the coat, and took in the coat at the side seams (which meant needing to detach and reattach the exterior patch pockets). My approach to the alterations was to trust my assumptions on what needed to change and to cut into the coat. It could have backfired, and at one point I did think I had made the coat too small, but the extra effort to get the fit right for Phil (admittedly retrospectively rather than via a toile…) has paid off in a successful coat which I’m sure he’ll get loads of wear out of.

FreeSewing Carlton Coat FreeSewing Carlton Coat

Phil has worn the coat daily since I completed it, and has reported back that the (Prym) covered buttons (used in two sizes, on the front and back of the coat) are not very sturdy. Two covered buttons have already been lost, partially (I think) because Phil is hard on his clothing, and partially because the metal loops used to attach the buttons to the coat are thin. I’m planning to swap the covered buttons for standard buttons, ideally before any more are jettisoned. Phil has also requested an additional button lower down on the coat, claiming that the current button positions left him with a cold belly button while we were walking around cold New York!