It’s taken me a few months, but I finally found time this weekend to film a vlog. I’m sharing what I’ve been up to during the last couple of months, including books, pill box hats and meet-ups.
Today I took some time out of the office to attend a student-led fashion conference on campus (I work at a University). Sustainability was a focus for many of the speakers and I came away with some ideas of what I could make to commemorate this year’s Fashion Revolution Week taking place 22 – 28 April. Last year I made a Fashion Revolution Tee, and I’d like to create or alter a garment again this year (potentially using my fabric scraps).
I also came away with a desire to try growing fabric! Kirie-Lea Cussen presented her project to grow a bacterial-cellulose fabric for garment making using a kombucha recipe, inspired by Suzanne Lee’s work. Suzanne Lee has shared her ‘recipe’ and process online. I just need to figure out where on earth I could store a large container of bacteria at a consistent temperature…
I was wearing this top today. It’s Digital Pattern Library’s Belted Sweater in a cotton spandex knit from Girl Charlee. This is a recent favourite which I’ve worn to quite a few meet-ups but am only just blogging. I love the shape of this, which can differ quite a bit depending on how you tie the belt. I tend to tie it at the front, as pictured here, and really like how the back hem fans out as a result. My other favourite feature is the wide neckband.
I really want to make another Belted Sweater in a thicker fabric for a more exaggerated silhouette, and I also think it would look quite elegant in a lighter weight and drapier fabric. Two more options for the future sewing queue!
All of those projects will need to wait in line though, as my next project is a ‘waspie’ corset to wear to visit the Dior exhibition at the V&A next Month. I’m planning to wear the New Look inspired outfit which was my contribution to The Refashioners 2018 to the exhibition, with the addition of a waspie corset underneath. I was inspired by Gertie’s B6643 release with Butterick, which I finally managed to get hold of in the UK today, to give a corset a try.
Having done very little knitting last year after a couple of dissatisfying projects, I had a really productive few months over Christmas and into the start of the new year. One of the projects I completed was this Trail Jacket, by Hannah Fettig (Knitbot). I finished it shortly before leaving for a trip to New York in February, and I bought and attached the buttons while on holiday. These pictures were taken a few days later while visiting the Museum of the Moving Image (see picture with muppet below!).
I bought the pattern in 2016 and the yarn (West Yorkshire Spinners Croft Yarn in Boddam colourway) from BritYarn (RIP) in 2017, so I’m glad to finally bring the jacket to fruition. The yarn is aran weight and the pattern easy to follow so the jacket knits up really quickly.
I don’t have much of a yarn stash. I have the odd ball brought back from a holiday, leftover odds and ends, and a few more substantial amounts of yarn bought for a project, such as this, which it has taken me longer than expected to get around to knitting. I’m hoping to work through those project-quantities of yarn this year, and then buy yarn as I’m ready to knit with it. We’ll see how I do. The same is NEVER going to happen with fabric/sewing patterns.
My button placket isn’t the neatest (I had to position the buttons quite far across in order for them to sit centrally once fastened), but I know I’ll wear this jacket loads. I definitely wear knitted cardigans/jackets more than sweaters, since they can be worn as a layering piece year ’round. I really like the cropped sleeves (although inevitably they want to ride up when I put a coat on), and I love the specked ‘tweed’ effect of the Croft yarn, which is made with 100% Shetland Island wool.
The next project I’ve started using my existing yarn stash is a hap in lace weight yarn so I’m expecting that one to take quite a bit longer than this jacket. Wish me luck in keeping on track!
The SewBrum meet-up will be returning for a sixth year on Saturday 05th October 2019.
SewBrum is a free-to-attend meet-up of people who love to sew in Birmingham, UK. Everyone is welcome.
Sign-up is now open (to give us an idea of numbers): Sign Up Here
As in previous years, we’ll start the day in Birmingham city centre and then travel to Guthrie & Ghani in Moseley Village, by bus.
I hope you can join us x
Logo by illustrator and sewist Maike Plenzke.
Karen Ball’s book, The Little Book of Sewing, is released on 04 April. I was lucky enough to receive a pre-release PDF copy via a call-out in her newsletter.
It might be a little book but it feels substantial. I read Karen’s book over a few very enjoyable sittings, and I know I’ll be returning to my hardcopy, once it arrives, when my motivation to sew needs a boost.
If you read Karen’s blog then you don’t need me to tell you that the writing is great. Conversational, and regularly funny (it’s dedicated to Tmos), the book shares a love of sewing with its readers. It successfully strikes a balance between advice and conversation (I wasn’t tempted to skim read as I often am with sewing tutorials or instructions), and between providing a little insight into Karen’s personal sewing and reflecting the wider sewing community.
Wide ranging in the information it covers – from basics such as understanding a sewing pattern, threading a needle, or sewing tools, through to careers in sewing, sewing in film and literature and sewing and mental health. The book touches lightly on the areas it covers, never going into so much detail as to risk becoming boring before bouncing on to the next topic.
As a regular / intermediate sewer, I was reminded of lots of things I should know but tend to forget. Practical tips like cutting thread at an angle to obtain a finer point, and a reminder that sewing failures are an opportunity to learn and improve.
Karen’s book will inspire you to pick up a hand sewing needle or take a seat behind a sewing machine. Reading it inspired me to sew for the enjoyment of sewing, as opposed to the promise of a finished garment. The book celebrates both the act of sewing and the hobby of sewing (from the items we collect to the community we become a part of). It contains a reminder of the reasons sewing is enjoyable, good for you, and very doable.
A few months ago, a vintage fashion Instagrammer I follow posted a picture of herself in a ear warmer she had made and I decided I had to have one.
I made a search on Ravelry (ear warmer? head warmer? headband?) and managed to stumble on a free pattern by Julie Bierlein for the Portsmouth knitted skating hat.
This is a simple and well designed pattern, with the option to knit in chunky/bulky or super chunky/bulky yarn. I knit two versions and each one took me two evenings, at a relaxed pace.
I really wanted a pink hat, but I thought I’d test the pattern with some stash yarn first, and used Ístex Álafoss Lopi in Golden Heather for my yellow version. I bought this yarn on a whim during a trip to Sweden back in 2015, and I previously used some of the ball in this hat. I still have loads left so no doubt it will show up on the blog again at some point.
Having tested out the pattern, I ordered some pink yarn for version two. Always keen to support British yarn companies, I chose West Yorkshire Spinners Re:treat yarn in the Escape colourway.
Both the yarns I used were chunky weight yarns, but the Alafoss is much firmer, which I think works really well for this pattern. Despite being my test version, my yellow version keeps its shape better and has a crisper silhouette. The soft pink yarn is much softer and has more stretch. I should have compensated for the stretch by knitting the pink hat slightly shorter but I didn’t realise until it was already finished and washed.
I wasn’t sure how often I would wear these ‘hats’, but I wore them daily during a recent trip to New York. From the perspective of someone with long hair, they do a good job of keeping your head warm, and wearing them doesn’t result in a ‘hat hair’ effect.
For a fairly frivolous looking accessory they are actually quite practical, and easy to roll-up and pop in a pocket or bag when not being worn.
I’m currently making a hat which definitely can’t be described as practical, a small pillbox hat to wear to the Dressmakers’ Ball next week, using some leftover fabric from my dress.
This was definitely one time when I was glad to have purchased slightly more fabric than I needed for the dress as I’m also planning to make a matching belt, and maybe a bag. There’s only four days left before the Ball now – wish me luck.
This may be the first ever time that I haven’t blogged in a while because I was too busy sewing.
Sewing and blogging are quite closely linked for me, and, typically, if I am quiet on the blog it’s because I’ve not had the time and/or energy to sew recently.
The community element is a big part of why I sew regularly. Before this blog, and before being conscious of the sewing community, I did sew, but without the inspiration of fellow sewers, and the added incentive of sharing my own projects and plans, it was intermittent, and just one of many hobbies.
The project which has kept me away from the blog this time is a coat for Phil. It isn’t the coat you can see in these pictures – which is the Thread Theory Goldstream Peacoat I made for him back in 2015. Apparently I only make him coats, as this Peacoat was the first thing I sewed for him, and the current coat is the second.
The coat I’m currently working on is the Free Sewing Carlton Coat and I’m looking forward to sharing the coat, and lots of details about its construction, once ready. I was really hoping to have the coat ready for our holiday to New York last week; nothing like an arbitrary sewing deadline to keep you busy! I started the coat just after Christmas and thought a late February deadline would be realistic (ahem, I was actually aiming to make myself a coat too), but it has taken me many, many hours and I’m committed to getting it right.
In the interim I took some photos of Phil in his Peacoat last week, in New York Botanical Garden. It was the first coat I sewed and I made various small errors during its construction, but the coat has worn really well despite them. The wool, from Barry’s Fabrics, has worn brilliantly with the occasional removal of bobbles from areas where he has carried a bag.
I do like re-photographing and celebrating long-standing garments, and it was nice to get some updated photos of Phil in this coat, particularly as he looks so young to me in the previous blog post pictures now. Phil wasn’t quite so fond of being photographed – as demonstrated below!