It’s taken me a few months, but I finally found time this weekend to film a vlog. I’m sharing what I’ve been up to during the last couple of months, including books, pill box hats and meet-ups.
Today I took some time out of the office to attend a student-led fashion conference on campus (I work at a University). Sustainability was a focus for many of the speakers and I came away with some ideas of what I could make to commemorate this year’s Fashion Revolution Week taking place 22 – 28 April. Last year I made a Fashion Revolution Tee, and I’d like to create or alter a garment again this year (potentially using my fabric scraps).
I also came away with a desire to try growing fabric! Kirie-Lea Cussen presented her project to grow a bacterial-cellulose fabric for garment making using a kombucha recipe, inspired by Suzanne Lee’s work. Suzanne Lee has shared her ‘recipe’ and process online. I just need to figure out where on earth I could store a large container of bacteria at a consistent temperature…
I was wearing this top today. It’s Digital Pattern Library’s Belted Sweater in a cotton spandex knit from Girl Charlee. This is a recent favourite which I’ve worn to quite a few meet-ups but am only just blogging. I love the shape of this, which can differ quite a bit depending on how you tie the belt. I tend to tie it at the front, as pictured here, and really like how the back hem fans out as a result. My other favourite feature is the wide neckband.
I really want to make another Belted Sweater in a thicker fabric for a more exaggerated silhouette, and I also think it would look quite elegant in a lighter weight and drapier fabric. Two more options for the future sewing queue!
All of those projects will need to wait in line though, as my next project is a ‘waspie’ corset to wear to visit the Dior exhibition at the V&A next Month. I’m planning to wear the New Look inspired outfit which was my contribution to The Refashioners 2018 to the exhibition, with the addition of a waspie corset underneath. I was inspired by Gertie’s B6643 release with Butterick, which I finally managed to get hold of in the UK today, to give a corset a try.
The SewBrum meet-up will be returning for a sixth year on Saturday 05th October 2019.
SewBrum is a free-to-attend meet-up of people who love to sew in Birmingham, UK. Everyone is welcome.
Sign-up is now open (to give us an idea of numbers): Sign Up Here
As in previous years, we’ll start the day in Birmingham city centre and then travel to Guthrie & Ghani in Moseley Village, by bus.
I hope you can join us x
Logo by illustrator and sewist Maike Plenzke.
Two weekends ago we were in Bristol for the Like Sew Amazing shop launch, and last weekend we were in London so that I could attend a meeting of the Association of Weavers, Spinners & Dyers GPC. I’ve stuck to my resolution of making time to attend meet-ups and other creative events, and not just those I organise. In just over two weeks’ time we are flying to New York, so that I can attend Male Pattern Boldness Day for the first time. Peter’s long-running event is surely the ultimate sewing meet-up, and I’ve been longing to join in for years.
The only downside of so much socialising is that I’ve spent very little time at home for the last two weekends. I’m keen to finish one or, dare I say it, two coats before we leave for New York, but it’s going to be a push. I struggle to motivate myself to sit behind the sewing machine after a day at work, but I have been making progress on my knitting in the evening and during weekend travel. It’s a good job, as I also have four knitting projects I’d like to finish for New York (one blocked and ready to go, one in progress, and two yet to start).
Anyway, I’m sure I’ll have something new to wear (and photograph, obviously) for my holiday, and I won’t be cutting any corners to complete the projects quickly. As my sewing ability improves I’m trying to make sure I finish my sewing projects to a (slowly but surely) increasingly high standard to match.
These photos were taken on a previous trip to Bristol, when I was there to attend the Sewcialite Soiree in November. The pattern is the Grace Dress from Simple Sew, and was free with Love Sewing magazine. It’s a lovely simple pattern, which I’ve now made three times. My first version is still my favourite, despite it getting somewhat mangled in the washing machine, as the fabric gives it a simplicity and lightness.
This version was made in the leftover floral velvet from my version of McCall’s M7154, purchased from Barry’s Fabrics. The long train on M7154 means that it isn’t wearable for many occasions, so I was keen to make a ‘day dress’ with the remaining fabric.
Back to holiday knitting for me, with a glass of cider and an episode of ST The Next Generation.
With 2018 drawing to a close, I wanted to write a round-up of what I’ve been up to in the last year.
I’ve continued volunteering for the Association of Guilds of Weavers, Spinners & Dyers, managing their social media channels and monthly newsletter. It’s an organisation I love being part of, despite personally doing minimal weaving, spinning or dyeing. In the same way that being part of the sewing community introduces me to a wider community of women, being part of the Association allows me to be part of a different community of fascinating, talented women, I otherwise wouldn’t interact with. This year I attended the Association’s biannual National Exhibition for the first time, next year I will be attending the summer school (my first-choice is a week-long course in weaving tweed and tartan), and in 2020 I plan to submit a small (un-juried) piece to the next National Exhibition.
I (jointly) organised the third Sewing Weekender (with Kate & Rachel from The Fold Line), and the fifth SewBrum (with Lauren Guthrie) in 2018. Both events were the biggest yet, and it’s really positive that people continue to want to attend, that this community continues to grow and that it continues to be supportive despite that growth. For the first time ever I even managed to make a new dress to wear to each of the events! I was adamant that I wasn’t going to let being busy stop me from attending other events in the sewing community this year, and I made it along to (and thoroughly enjoyed myself at) Sew Up North, the Sewcialist Soiree, and Birmingham-based meet-ups including Brummie Yarn Social.
I participated in the Refashioners for the second time (the first time was in 2015), and won the runner-up prize for an outfit inspired by Dior’s Bar Suit, which was my most involved sewing project to date. Phil and I visited Paris to get photos based on my inspiration image (we also holidayed in Vietnam, Majorca, Lulworth Cove and Skegness this year). My entry for Tilly & the Button’s Sew a Xmas Sweater Competition was also based on an inspiration image, Vera Ellen’s dress at the end of White Christmas. Back in April, I celebrated Fashion Revolution Week by making a screen-printed tee, which was one of my favourite garments this summer. Finally, in December I participated in two Christmas swaps (Bombazine Mitt Swap & Sewing Secret Santa).
In December 2017 I started using the Cora App to catalogue my fabric and I’ve kept it up all year (with a few gaps where some retrospective cataloguing was required). Cataloguing my fabric inspired me to take part in MakeNine for the first time in 2018, and to finally sew with patterns and fabric I’ve had in mind for ages. I’ve only made a smallish dent in my MakeNine plans so far (simply because I don’t sew as fast as I plan), but the intention to not forget patterns released (and fabric purchased) in previous years remains, and I did sew with my stash of Mahlia Kent remnants, built up over a couple of previous trips to Paris.
I’ve had limited success with my knitting this year (I’ve done less knitting, and the projects I have finished have had fitting issues), but in the last couple of months Christmas has inspired me to pick up my (circular) needles more regularly, and I’ve finished knitted baubles for our Christmas tree, and a scarf for my mom’s Christmas present. I’m hoping to stay inspired and to successfully complete a larger project for myself in the new year.
Without me really noticing it was occurring, I’ve become more confident in my sewing ability in the last year or so. My ability to complete my Refashioners’ project was a sure sign to myself that I’m no longer reliant on instructions, or thrown when something doesn’t immediately work as expected. I’ve become more confident altering garments which I’m not happy with, and this year that included significantly altering a knitted garment for the first time, taking the scissors to my Wharf Street Pullover to remove length from the hem and sleeves.
My blog photography has also improved (credit to Phil for this one), and I took the opportunity this year to get better photos of my Bombshell swimsuit, on a beach as opposed to in my garden. I enjoy celebrating garments which have been successes by re-blogging them, like last year when I took the opportunity to do so for my Victoria Blazer, which is still undoubtedly my most-worn handmade garment.
I kept up my vlog in 2018, including a monthly ‘zine’ which I started in September as a way of sharing sewing and knitting related things which interest me, plus a little on my own creative plans. I’ve also kept up a more regular schedule on my blog recently, and I think the blog and vlog complement each other well, with the blog for finished garment and longer posts (such as this), and the vlog for shorter chit chat and recommendations.
I tend to think that I don’t sew patterns multiple times, but my love for the Sangria, Linden, and Grace patterns continued unabated this year. More unusually, I am sewing a garment for Phil for only the second time ever, making him a coat while I’m off work over Christmas using the Free Sewing Carlton Coat pattern.
I also bought myself a sewing machine for the first time this year (the previous have all been gifts). There’s a story behind the purchase which I’ll save for a second wrap-up post about my personal/work life, as this post is long enough already.
Thank you for reading the blog and Happy Christmas and New Year!
Autumn is here and with it new Grainline Studio Lindens are entering my wardrobe.
I cut out and prepared (pinned all initial seams) two Linden sweatshirts during evenings this week, and then sewed both sweatshirts today. I managed to sew the first – pictured here – in a couple of hours this morning, meaning that I was able to wear it during a trip into Birmingham city centre this afternoon.
It’s pictured here at Ikon Gallery where we caught the final day of an exhibition of recent work by Polly Apfelbaum. I must admit that half of the incentive for visiting was seeing the exhibition before it closed, and the other half was getting blog photos in such a great space!
The exhibition was very accessible and interactive, with visitors invited to walk over the woven rugs included in the exhibition on the condition you removed your shoes.
This particular Linden is made with fabric purchased as an offcut from Birmingham Rag Market, and was the remaining metre of fabric I had left after making a Freya Dress.
I had a go at making Named’s Talvikki sweater earlier this week, and am not convinced by how it looks on. I’m having a break before returning to try altering it, but it was very satisfying to return to a pattern I know well.
As a reminder (if only for myself), I make the Linden in size 2 in thicker fabrics, but in a size 0 in thinner fabrics – including this one. I also always cut the neckband one size larger, to avoid pulling, and have found it to make all the difference.
My Linden is pictured here paired with a Seamwork Oslo Cardigan which I made for myself in 2014 when it was released with the very first issue of Seamwork. The weather has been very mild here in the UK for the last few weeks, and this kind of casual jacket is currently perfect outerwear. By the time it gets cold I might have all the supplies ready and be prepared to sew coats.