english girl at home

A Sewing & Knitting Blog, Made in Birmingham, England


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Zigzag Linden at the Ikon Gallery

Linden Sweatshirt at the Ikon Gallery

Autumn is here and with it new Grainline Studio Lindens are entering my wardrobe.

Linden Sweatshirt at the Ikon Gallery

I cut out and prepared (pinned all initial seams) two Linden sweatshirts during evenings this week, and then sewed both sweatshirts today. I managed to sew the first – pictured here – in a couple of hours this morning, meaning that I was able to wear it during a trip into Birmingham city centre this afternoon.

Linden Sweatshirt at the Ikon Gallery

It’s pictured here at Ikon Gallery where we caught the final day of an exhibition of recent work by Polly Apfelbaum. I must admit that half of the incentive for visiting was seeing the exhibition before it closed, and the other half was getting blog photos in such a great space!

The exhibition was very accessible and interactive, with visitors invited to walk over the woven rugs included in the exhibition on the condition you removed your shoes.

Linden Sweatshirt at the Ikon Gallery

This particular Linden is made with fabric purchased as an offcut from Birmingham Rag Market, and was the remaining metre of fabric I had left after making a Freya Dress.

Linden Sweatshirt at the Ikon Gallery

I had a go at making Named’s Talvikki sweater earlier this week, and am not convinced by how it looks on. I’m having a break before returning to try altering it, but it was very satisfying to return to a pattern I know well.

Linden Sweatshirt at the Ikon Gallery

As a reminder (if only for myself), I make the Linden in size 2 in thicker fabrics, but in a size 0 in thinner fabrics – including this one. I also always cut the neckband one size larger, to avoid pulling, and have found it to make all the difference.

Linden Sweatshirt at the Ikon Gallery

My Linden is pictured here paired with a Seamwork Oslo Cardigan which I made for myself in 2014 when it was released with the very first issue of Seamwork. The weather has been very mild here in the UK for the last few weeks, and this kind of casual jacket is currently perfect outerwear. By the time it gets cold I might have all the supplies ready and be prepared to sew coats.

Linden Sweatshirt at the Ikon Gallery

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Pink Velvet, Zigzag & Ruffle Freya Dress

Tilly & the Buttons Freya Dress

I do try to avoid buying fabric if I can’t immediately think of a project I want to make with it. This fabric, however, was one of the occasions when that logic went out of the window. On a whim (partly because it was cheap), I bought a large off-cut of this fabric from Birmingham Rag Market – a pink velvet knit with a large scale zigzag. The fabric has sat in my stash every since as I had no idea what on earth to do with it.

Tilly & the Buttons Freya Dress

I only have a relatively small amount of knit fabrics, and this was one of my few dress length options, so I decided to give it a try in order to sew a Freya Dress (From Tilly & the Button’s Stretch) from stash fabric. I actually think it turned out pretty well, even though it looks somewhat circus themed, an impression the ruffle definitely adds to.

Tilly & the Buttons Freya Dress

I graded between sizes 2 and 3, but will size up to a 3 throughout next time as I have limited ease at the bust and upper arms despite sewing a narrow seam allowance. I’m definitely going to sew the Freya Dress again (including that adorable ruffle) in an office appropriate fabric. For reference, I cut the fabric strip for my ruffle 74cm long (Tilly explains how to measure your preferred length rather than specifying a measurement).

Tilly & the Buttons Freya Dress

These photos are the first blog photos I’ve ever taken myself (using my phone as a remote) as opposed to asking Phil to take them. They turned out ok, but I found it really hard not to frown with concentration, and it took so much longer. I’ll suspect I’ll go back to bothering Phil next time.

Tilly & the Buttons Freya Dress


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Pink Asymmetric Gather Dress

The Maker's Atelier The Asymmetric Gather Dress

I’ve had a lovely quiet weekend at home, which included making this dress. This is the Asymmetric Gather Dress from the Maker’s Atelier, which was one of my favourite pattern releases of 2017.

The Maker's Atelier The Asymmetric Gather Dress

The Maker's Atelier The Asymmetric Gather Dress

Phil was out for dinner with friends on Saturday, so I had an afternoon to myself to sew. Despite inevitably getting distracted by podcasts/vlogs/Netflix, I had this dress completed before bed, and couldn’t resist getting some photos in the last of the snow today in our local park.

The Maker's Atelier The Asymmetric Gather Dress

The Maker's Atelier The Asymmetric Gather Dress

I graded between sizes 8 and 10. I think the fit is ok, but I’m going to increase the size of the gather at the front to make the dress slightly more fitted near the waist and the design more pronounced (an easy alteration). I’m also not happy with the sleeves currently, they’re a lot less gathered than in the pattern photos, so they end up just looking a bit lumpy. This is the length of the dress on me unaltered, it’s longer than in the pattern pictures but I quite like it so will try wearing the dress at this length before making any decision to shorten.

The Maker's Atelier The Asymmetric Gather Dress

The Maker's Atelier The Asymmetric Gather Dress

This fabric is a crepe purchased in the John Lewis sale. I thought it would be perfect for this pattern, but I actually think a lighter weight fabric would work better – the gathers end up very pronounced in this mid weight fabric. I think this dress would be lovely in a lightweight drapey wool, but first I’m going to make my planned alterations to the front gather and sleeves and wear this version a while.


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Point of View Vest

Knitbot Linen Point of View Vest

I’ve been knitting less frequently since I started catching the train to work, with colleagues, because I’m now too busy nattering. However, recently I finally picked up and finished this project which I abandoned last summer.

Knitbot Linen Point of View Vest

This is the Point of View Vest by Hannah Fettig from Knitbot Linen. I started this vest to use up leftover Blacker Yarns Lyonesse yarn from my Hancock cardigan (another Hannah Fettig pattern). I didn’t have quite enough Lyonesse to finish this vest, and by the time I realised, the colourway (Rose Quartz) had been discontinued. Luckily, the replacement colourway (Tourmaline) is close enough that the change in shade at the shoulders doesn’t look out of place.

Knitbot Linen Point of View Vest

The Point of View pattern is designed for linen yarn; because I used a wool/linen blend, the edges of the vest inevitably curl up. I like how this looks at the front, but felt the bottom edge of the vest looked sloppy, so hand sewed ribbon along the edges to weigh them down and keep them flat.

Knitbot Linen Point of View Vest

This is a fairly impractical garment since it doesn’t add much warmth or cover, but it does look quite cute paired here with a Megan Nielsen Maker Tee and favourite People Tree skirt, and with an Inari Tee Dress. These photos were taken on holiday at Studio Ghibli Museum in Tokyo, and the Museum of The Little Prince in Hakone.

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest

Knitbot Linen Point of View Vest


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The Smiths Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

This is my latest Linden Sweatshirt (number seven blogged). It’s View A, Size 0 – although in this fabric I should probably have sized up to a 2 as it has limited stretch.

The original inspiration for this jumper were the excellent British wool band jumpers which Hades released earlier in the year. The Hades jumpers were limited edition and I missed the chance to buy a The Smiths jumper, so I thought I’d make my own. I’d love to knit something closer to the Hades original, but am a bit wary about tackling knitted lettering without a pattern, unless anyone can recommend something similar??

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

For this version, I cut a stencil of the lettering in acetate (more stable than paper and also reusable) and screen-printed the text using black ink onto the pre-cut Linden sweatshirt front. For reference, I always use Permaset Supercover screen printing ink to print on fabric and find it really reliable, Fred Aldous stock it in the UK.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

I found it difficult to gauge the best size and placement of lettering while the sweatshirt was in pieces. If I make another, I will increase the size of the lettering, and move it closer to the neckline.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The fabric is a loop-back jersey purchased at Guthrie & Ghani during SewBrum. This pale pink is great for letting the text stand out, but does also get grubby easy.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

I also made my scarf. This is TOFT’s Block-Colour Filet Scarf crocheted in their (British) yarn, in a natural (stone) for the main colour, with yellow for the accents. I’m pretty sure this is the same pattern (knitted in a solid colour) available from TOFT’s free pattern section. I’m not great at crochet, but this is a nice easy pattern and a relatively quick project.

My jeans are not me-made, but were made in the UK by Community Clothing.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

These photos were taken in Hagia Irene, near Topkapi Palace in Istanbul, which was the first Byzantine cathedral built in Istanbul, and is now a museum. Like all Byzantine religious buildings in Istanbul, this has had a varied history, including earthquakes and acting as an armory. We had the building entirely to ourselves on our visit, and it makes for a pretty atmospheric backdrop.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

P.S. in a similar vein, I previously blogged a screen-printed Morrissey tee.

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt

The Smiths Screenprinted Grainline Studio Linden Sweatshirt


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Pink Wool Clare Coat

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Three weeks or so before me and Phil left for a holiday in Reykjavik, New York and Boston, I decided to make myself a warm coat to wear.

I loved the Closet Case Files Clare Coat when it was released and had already bought the pattern, so this was the perfect chance to make it. By the time my fabrics arrived, I was actually down to two weeks before our holiday – with plans to be out of the house for both weekends – so made the coat in short evening sessions over those two weeks. Luckily, the Clare Coat comes together really quickly, but I was still finishing the edge stitching the night before we left. I also attached the press-studs that same night, but obviously wasn’t operating at full capacity since I sewed them all on the wrong way around (meaning they wouldn’t close…) and had to remove and reattach them once in Reykjavik!

Clare Coat

My outer and lining fabrics were both purchased from Herts Specialist Fabrics, who specialise in reproduction fabrics for historical re-enactors. Both fabrics are described as being made in the UK, although I wasn’t able to obtain specifics.

Herts fabrics are very reasonably priced. The pink blanket pure wool cost £19.00 for two metres, and the gold satin I used for the lining cost £15.90 for two metres. Both are 60″ width, and I have enough of each left over for one more project.

As the store focuses on reenactment fabrics you don’t get the same service (in my opinion) as I would expect from a shop specialising in garment sewing. For example, the satin arrived in two cut lengths (without this being made clear in advance), and the wool arrived with some deep creases which I wasn’t able to remove. You can see some of the creases in the wool in my finished coat below – but some were no doubt added by me later! Given their prices and range of UK fabrics I’ll definitely be ordering from them again, but it’s worth knowing in advance.

Clare Coat

Based on a recommendation by Heather Lou in the Clare Coat sewalong, I decided to add a layer of thinsulate as an interlining to ensure my coat kept me suitably warm in Iceland.

I ordered my thinsulate from Point North Profabrics. Two metres plus postage cost just under £30 which I was loath to spend on something that looked like quilt batting, but I still have a reasonable amount left over and it certainly made a difference to the finished coat. We were out and about in some pretty cold weather in Iceland and I never felt cold.

The addition of the thinsulate – along with the thick blanket wool – wasn’t popular with my sewing machine. I think I broke seven needles trying to stitch around the edges of the coat (through all layers). It didn’t help that I was doing this on the night before our holiday and didn’t have time to go slowly.

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

To me, the cutting-out part of coat and jacket making always feels like it takes longer than the sewing. I also had a lot of pattern pages to stick together, since I couldn’t find a reasonably priced copyshop print option in Birmingham or Coventry (If anyone knows a cheap local option for printing individual patterns do let me know). I was spending a weekend in Cornwall just after my fabrics arrived, and thought it would be the perfect time to get all of my pieces cut out so that I could start sewing once I was back home.

We were travelling to Cornwall on the train and I couldn’t find a bag large enough to fit all of the fabric in, so popped it in a bin bag. It seemed very logical to me, but Phil was NOT impressed at the thought of having to lug an overflowing bin bag of fabric all the way to Cornwall on the train. Obviously the fabric did come with us, and was cut out between strolls on the beach.

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Based on the recommended size for my measurements, I graded between a size 2 at the bust, and 6 at the waist and hips. I noticed that other blogged Clare Coats looked quite fitted in the upper body, and was a bit worried about not being able to fit a suitably woolly jumper underneath. As a result (see if you spot the stupid error here), I decided to use a narrower seam allowance to add extra ease; when I got to the point of attaching the collar it didn’t fit, as I’d increased the length of the neckline… Sooo, I unpicked all of the neckline seams and sewed with the recommended seam allowance.

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

I’m really happy with the fit, and fancy making the pattern again in a less bulky fabric for a smarter look. But given that we’re finally getting some sunny weather, a second Clare will probably need to wait until the Autumn.

These photos were taken in Reykjavik, where my coat was put to good use.

In these photos I’m also wearing a Karusellen hat and Cecelia Cowl.

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland

Clare Coat, Karusellen Hat, & Cecelia Cowl in Reykjavic, Iceland


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Doraemon Emery Dress

Doraemon Emery Dress

When Rebecca invited me to take part in the World Book Day Blog Tour, after saying YES!, the first decision was what children’s book would inspire my project.

As a child I was a voracious reader and, in particular, was seriously obsessed with Enid Blyton. Obsessed to the extent that I not only read every book of hers I could get my hands on (and as you may already know, there are an obscene amount of them), but also read her autobiography and had a picture of her in my room. Yeah, that obsessed! My mom always said I had a habit of becoming utterly obsessed with anything I became interested in – I’m making no comment here on whether that is now true of sewing and knitting…

Doraemon Emery Dress

Anyway, none of the books I loved as a kid immediately suggested a project to me. Instead I though of my favourite children’s book as an adult, Antoine de Saint-Exupery’s The Little Prince. I think I was a teenager when I first read The Little Prince, while on holiday with my family in France. Me and my brother both immediately loved it and I still read it regularly – my favourite section is the first couple of pages where the author describes his drawing of a boa constrictor eating an elephant, which every adult mistakes for a drawing of a hat.

So, I planned to embroider a garment with an image from The Little Prince (and may still get to that at some point), when I spotted a favourite series of manga in my bedroom – Doraemon – and remembered this fabric. This project is a prime example of how an online challenge can spur on sewing activity. I bought this fabric at the London meet-up organised by Rachel in 2014, immediately decided to make an Emery Dress with it and ordered the pattern. Both fabric and pattern have sat in my stash waiting to be made for the last two years.

Doraemon Emery Dress

Doraemon has been a staple of children’s TV and literature in Japan since the 70s. He’s well known around the world, but has never really taken off in the UK (or, I suspect, the US, since manga and anime available in the UK are usually produced in the US). As far as I know, the Doraemon manga has never been published in English – however, in both Japan and China, ten bilingual volumes of the manga are published as tools for learning English. When I visited China a few years ago I bought the full set.

Doraemon Emery Dress

The basic premise of the manga is that a lazy kid (Nobita) is visited by a robot cat from the future (Doraemon), who is sent back in time by Nobita’s descendants to improve his future by preventing him being lazy. What makes the manga so appealing are Nobita and Doraemon’s characters and the relationship between them. Despite the fact that Doraemon is a robot on a mission, he really just wants a quiet life and is easily pestered into assisting Nobita to be lazy/cheat/one-up school bullies, all of which eventually back fire, of course.

Doraemon Emery Dress

The dress is an Emery, graded between a 2 at the bust and 6 at the waist/hips. I’m really pleased with the fit and will be making more – it definitely needs a petticoat for full effect though. The only change I made was using a standard zip as opposed to concealed, which was because I asked Phil to buy it – he remembered that it needed to be pink and 22″, but forgot concealed. Close enough I reckon!

Doraemon Emery Dress

As a side note, my favourite random Doraemon facts are that he holds a position (anime ambassador) in Japan’s Foreign Ministry, and that the first versions of Doraemon published in Hong Kong were pirated and he was renamed Ding-Dong!

Doraemon Emery Dress

Rebecca has organised four giveaways as part of the blog tour, the full list of prizes and rafflecopter entry links can be found here.

The full list of bloggers participating in the tour is as follows:

Monday 29th February||  Dobbin’s Bobbins  |   While she was sleeping
Tuesday 1st March ||  Fairies, Bubbles & Co.  |  As It Seams
Wednesday 2nd March ||  Sewing With Kate  |  Call Ajaire
Thursday 3rd March ||  Sew Shelly Sew   |  Bel’Etoile
Friday 4th March  ||  Sewn In The Attic   |  Just Add Fabric
Saturday 5th March ||  English Girl At Home |  Made by Sara  |  Paisley Roots
Sunday 6th March ||  MinnieMie | Sew Country Chick  |  Dobbin’s Bobbins