Recently me and Phil visited the Style Africa exhibition currently on at Birmingham Museum and Art Gallery. Style Africa is an exhibition of contemporary West African textiles, and features a selection of beautifully printed fabrics. I won’t say any more than that, I’ll let the pictures below speak for themselves.
Me and Phil are big fans of Alien Corset’s film posters for the Castro Theatre in San Francisco. Last month we treated ourselves to one of his latest batch of prints, a lovely red and gold Metropolis poster, which arrived in the post this week.
While in St Ives, me and Phil visited Barbara Hepworth’s former studio. Hepworth worked in the studio and it’s garden from 1949 until her death in 1975. It’s only a small museum as the studio itself was based in a small building, but it’s stunning – especially on a sunny day. The studio and garden contain a selection of Hepworth’s sculptures in wood, stone and bronze – with a number of the bronzes in the garden in the positions in which Hepworth placed them.
Me and Phil spent the weekend in Manchester, visiting galleries, shopping & generally wandering around. One of the reasons we made the trip was to see the Chen Man exhibition at Chinese Arts Centre. Chen Man is a leading fashion photographer within China, but this is her first solo exhibition in the UK. I wasn’t previously familiar with her work, but knew it as for me when I saw the exhibition advertised! Chen Man’s work has a very kitsch, stylised look – with her images heavily edited in post-production. I found some of her work, in particular the second image below, reminiscent of Liu Ye. The exhibition is only small (as is the gallery as a whole) but includes a mixture of early and more recent works, including the following:
From the Double Mickey series:
From the Young Pioneers series:
From the Vision magazine cover series:
Last Tuesday me and Phil went to the MAC after work for a valentine’s day screening of Brief Encounter. Prior to the film we visited the Made in the Middle craft exhibition which is currently located at the MAC prior to going on tour. Going to a craft exhibition after work isn’t Phil’s first choice for an evening out but as it was valentines day he couldn’t really say no:) Plus he had a film screening afterwards to make up for it.
The Made in the Middle exhibition features work by regional artists working in various crafty mediums, which this year included paper, textile, jewellery, and pottery. My absolute favourite pieces were by Clare Willard who creates amazing images which have a print-like quality and boldness by laser cutting and laminating wood:
One of the key themes of the exhibition was the background of the artists and how they had gotten into craft careers. It was really fascinating to see the number of artists who had moved into artistic careers through evening courses.
Below are a handful of images of pieces from the exhibition.
English Hedgerow by Andrew Tanner and Unanico:
I attended a linocut printing workshop at the Barber Institue today (there was an old fashioned gender divide in our house as I did some chores and went to a craft workshop, while Phil went into Liverpool to watch football!).
This is the second printing workshop I’ve attended at the Barber. They’re more relaxed than other workshops I’ve attended, as they allow time for an overview of the art form, a gallery tour and time sketching within the gallery. Having said that, once the actual crating starts they’re less serene (for me at least) as I tend to create designs that take a while to cut-out so need to put my head down and work fast to finish on time.
Alex Jolly who runs the workshops uses basic/low cost tools and materials so that it’s easy to purchase the same supplies and carry on at home. I’m thinking of ordering some supplies and having a go at printing onto fabric. We don’t really have any space in the house where I can risk making a big mess, so I might take over some space in the shed (traditionally Phil’s domain) for a printing workstation. I’ll have to wait until it gets a bit warmer though as I don’t fancy sitting out there for many hours at a time at the moment.
To give us some ideas and inspiration we went on a tour of the gallery’s Chinese artifacts, which include a jade cup and wooden box created for use by emperors. Apparently the Barber has had the artefacts in storage for years but, no doubt due to the recent boom in the Chinese art market, has recently re-evaluated their worth and realised their significance. Personally I can never help thinking about the ransacking of the Summer Palace when I see imperial treasures in British museums. Not that that affects the beauty of the artefacts themselves, but it’s an important part of their history & personally I think galleries ought to make more effort to acknowledge it.
For my print I decided to sketch a 福 (fu) character, which means ‘good fortune’ in Chinese and is commonly displayed in homes in paper cut form, especially at Spring Festival time. It’s usually displayed upside down, due to a play on words: fu dao le means ‘good fortune has arrived’, but ‘upside-down’ in Chinese is also pronounced ‘dao’ so displaying the character upside down is a play on words and also implies that good fortune is on it’s way. I actually have two 福 paper cuts stuck to my landing window, and I used the style of these as a model for my print. Around the character I printed some prunus blossom, which is featured in Rossetti’s ‘The Blue Bower’ which the Barber own and which I sketched during the gallery tour.
Below is my original sketch. I drew over the outline in pen to give a nice solid line, and then traced the image onto a piece of easy cut lino.
And here are the resulting prints, in black ink on red and white card.